Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Dutch composer of the Dutch school of Renaissance music. He was the most famous composer of masses in Europe in the late 15th century, being eclipsed by only Josquin des Prez after his death.
What little is known of Obrecht's origins and early childhood comes mostly from his motet Mille quingentis. He was the only son of Ghent city trumpeter Willem Obrecht and Lijsbette Gheeraerts. His mother died in 1460 at the age of 20, and his father in 1488 in Ghent.
Details of his early education are sparse, but he probably learned to play the trumpet, like his father, and in so doing learned counterpoint and how to improvise over a cantus firmus. He is likely to have known Antoine Busnois at the Burgundian court, and certainly knew his music, since Obrecht's earliest mass shows close stylistic parallels with the elder composer.
Scholar, composer and clergyman, Obrecht seems to have had a succession of short appointments, two of which ended in less than ideal circumstances. There is a record of his compensating for a shortfall in his accounts by donating choirbooks he had copied. Throughout the period he was held in the highest esteem both by his patrons and by his fellow composers. Tinctoris, writing in Naples, singles him out in a shortlist of contemporary master composers—all the more significant because he was only 25 when Tinctoris created his list, and on the other side of Europe. Erasmus served as one of Obrecht's choirboys around 1476.
While most of Obrecht's appointments were in Flanders in the Netherlands, he made at least two trips to Italy, once in 1487 at the invitation of Duke Ercole d'Este I of Ferrara, and again in 1504. Ercole had heard Obrecht's music, which is known to have circulated in Italy between 1484 and 1487, and said that he appreciated it above the music of all other contemporary composers; consequently he invited Obrecht to Ferrara for six months in 1487. In 1504 Obrecht returned to Ferrara, but on the death of the Duke at the beginning of the next year he became unemployed. In what capacity he stayed in Ferrara is unknown, but he died in the outbreak of plague there just before 1 August 1505.
Jacob Obrecht
Biography
Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Dutch composer of the Dutch school of Renaissance music. He was the most famous composer of masses in Europe in the late 15th century, being eclipsed by only Josquin des Prez after his death.
What little is known of Obrecht's origins and early childhood comes mostly from his motet Mille quingentis. He was the only son of Ghent city trumpeter Willem Obrecht and Lijsbette Gheeraerts. His mother died in 1460 at the age of 20, and his father in 1488 in Ghent.
Details of his early education are sparse, but he probably learned to play the trumpet, like his father, and in so doing learned counterpoint and how to improvise over a cantus firmus. He is likely to have known Antoine Busnois at the Burgundian court, and certainly knew his music, since Obrecht's earliest mass shows close stylistic parallels with the elder composer.
Scholar, composer and clergyman, Obrecht seems to have had a succession of short appointments, two of which ended in less than ideal circumstances. There is a record of his compensating for a shortfall in his accounts by donating choirbooks he had copied. Throughout the period he was held in the highest esteem both by his patrons and by his fellow composers. Tinctoris, writing in Naples, singles him out in a shortlist of contemporary master composers—all the more significant because he was only 25 when Tinctoris created his list, and on the other side of Europe. Erasmus served as one of Obrecht's choirboys around 1476.
While most of Obrecht's appointments were in Flanders in the Netherlands, he made at least two trips to Italy, once in 1487 at the invitation of Duke Ercole d'Este I of Ferrara, and again in 1504. Ercole had heard Obrecht's music, which is known to have circulated in Italy between 1484 and 1487, and said that he appreciated it above the music of all other contemporary composers; consequently he invited Obrecht to Ferrara for six months in 1487. In 1504 Obrecht returned to Ferrara, but on the death of the Duke at the beginning of the next year he became unemployed. In what capacity he stayed in Ferrara is unknown, but he died in the outbreak of plague there just before 1 August 1505.
(from wikipedia.org)