Gustav Mahler 160

Gustav Mahler 160

This Week in Classical Music: July 6, 2020.  Mahler at 160.  Gustav Mahler, one of the greatest composers in the history of music (Grove Dictionary is more circumspect, calling him Gustav Mahlerone of the most important figures of European art music in the 20th century,” but we think he was much more than that) was born on July 7th of 1860 in a small town of Kaliště in Moravia (then Kalischt, Austria-Hungary).  We’ve been tracing Mahler’s life by his symphonies, the last one, two years ago, being his Symphony no. 6, written in 1903 – 1904.  The Seventh followed soon after: Mahler started working on the symphony in 1904 and completed it a year later; he conducted the premiere in Prague in 1908, the work wasn’t well received.   By 1904 Mahler’s routine was well established: he would spend music seasons conducting and producing operas at the Hofoper in Vienna and conducting subscription symphonic concerts, and then compose during several summer weeks at his “composing hut” at Maiernigg on lake Wörthersee, near the resort town of  Maria Wörth in Carinthia.  The summer of 1904 Mahler spent most of the time struggling to complete the Sixth symphony; as for the next one, he only sketched out two Nachtmusik movements (they would become movements two and four once the symphony was completed).  The following year, 1905, he was again in trouble.  We quote here Mahler’s letter to his wife Alma from an article by the noted Mahler scholar Henry-Louis de La Grange: “I plagued myself for two weeks until I sank into gloom, as you well remember, then I tore off to the Dolomites. There I was led the same dance, and at last gave it up and returned home, convinced that the whole summer was lost. You were not at Krumpendorf [a town on the opposite side of Wörthersee from Maiernigg]to meet me, because I had not let you know the time of my arrival. I got into the boat to be rowed across. At the first stroke of the oars the theme (or rather the rhythm and character) of the introduction to the first movement came into my head—and in four weeks the first, third and fifth movements were done.”  This is quite remarkable, as the first movement lasts about 21 minutes, the third – about 10 and the fifth – about 18: Mahler wrote about 50 minutes of very complex symphonic music in just four weeks.

The years 1904 – 1905 were good to Mahler.  He was acknowledged as a great opera conductor, and his symphonic programs with the Philharmonic were popular.  Some of his compositions even had critical and popular success (Symphony no. 7 would not  go on to be one of them).  He lived very comfortably, was happily married, and his second daughter, Anna, was born in 1904.  He had many friends and admirers among musicians and developed a special relationship with the Concertgebouw Orchestra and its conductor Willem Mengelberg.  Just three years later Mahler would have to leave Hofoper, hounded by antisemitic music critics; in 1907 his first daughter, Maria, would die of scarlet fever and his marriage to Alma would be on the rocks.

Symphony no. 7 consists of five movements, which you could listen to separately Langsam, Allegro, Nachtmusik I, Scherzo, Nachtmusik II, and Rondo-Finale, or to the whole symphony here.  Leonard Bernstein conducts the New York Philharmonic in this 1985 recording.