Classical Music | Piano Music

Maurice Ravel

Oiseaux tristes, from Miroirs  Play

Ruti Abramovitch Piano

Recorded on 06/20/2012, uploaded on 11/12/2012

Musician's or Publisher's Notes

 In 1900, Maurice Ravel joined a group of young, like-minded musicians, artists and writer called Les Apaches. The group met regularly at the homes of Paul Sordes and Tristan Klingsor, and came to include such other prominent names as Igor Stravinsky and Manuel de Falla. Les Apaches, which obviously refers to the Native American tribe, also had the additional meaning of “hooligans” in French and was coined by Ricardo Viñes to describe the group as “artistic outcasts.” Viñes would premiere several of Ravel’s piano works, including his Miroirs, which the composer dedicated each of its five movements to a member of Les Apaches.

Miroirs was composed during 1904-05 and given its premiere in 1906. Meaning “Reflections,” the work demonstrates the development of Ravel’s technique as a composer of piano music, which had first leapt into maturity in his 1901 piece, Jeux d’eau. Ravel’s treatment of the vast possibilities of the piano was simultaneously inspired by the florid style of Franz Liszt and the most profound advancement in piano technique since that great virtuoso’s time. This style came to be a cornerstone of French Impressionism and even influenced Ravel’s older contemporary, Claude Debussy.

The second piece of Miroirs, “Oiseaux tristes” (“Sad Birds”), Ravel dedicated Viñes. It is a melancholy and doleful piece which Ravel described as "birds lost in the torpor of a dark forest during the hottest summer hours." The static and quiet triplet accompaniment that persists throughout much of the piece certainly evokes the stifling haze of summer. Above this we hear the melancholy birdsongs—some soft, others louder and penetrating. Much of the movement passes by quietly, making its melancholy ever more poignant, but a solitary rise to a forte creates a clamorous climax of birdsongs. The climax is fleeting, however, and the music quickly returns to its sad demeanor. A cadenza then precedes the movement’s somber close.     Joseph DuBose

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Miroirs, or ‘reflections’, is a set of five pieces written between the years 1904-1905. Each of the pieces is dedicated to a different member of ‘Les apaches’, a group of French musicians, writers, and artists to which Ravel belonged.

Of the second piece in the set - Oiseaux tristes (‘Sad Birds’) Ravel said that “it evokes birds lost in the oppressiveness of a very dark forest during the hottest hours of summer.” It is free in its structure and improvisatory in nature. The piece has two main layers: the bird calls on a higher plane, and the heavy atmosphere of the dark forest below.        Ruti Abramovitch