Classical Music | Soprano

Germaine Tailleferre

La pernette se leve, from Chansons du Folklore de France  Play

Patrice Michaels Soprano
Chicago Chamber Musicians Ensemble

Recorded on 03/25/2002, uploaded on 04/01/2009

Musician's or Publisher's Notes

Germaine Tailleferre (1892-1983):

Chansons du Folklore de France

Groves Dictionary of Music and Musicians, fifth edition, published in 1954, ques­tioned the efficacy of Germaine Tailleferre's gifts, describing her talent as "slender." Since then, opinions of her work have become more favorable, although her music remains too little heard. For one thing, the composer, a member of "Les Six" (together with Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, and Francis Poulenc) completed many significant works after 1954. For example, her 1981 Concerto de la fidélité pour voix élevée et orchestre won the 1982 Prix de la Ville de Paris. She also remained a force in pedagogy into her eighties.

Tailleferre's arrangements of popular French songs transcend the usual genre but never overburden the melodies with orchestra­tions or harmonizations that detract from their vitality. The composer's work here sparkles with the clarity of a perfectly cut gem stone. According to soprano Patrice Michaels, "the simple melodies are under­scored, overlaid, and reworked with wonder­fully complex harmonies, neatly and sparely orchestrated with an ensemble that seems at times transparent and at times surpris­ingly rich." These songs offer no oppor­tunities for technical display, but rather test the singer's narrative gifts. Variety of vocal color is required in songs such as La Pernette se lève, where a dialogue between daughter and mother is in play. In these nine songs, life is often hard; pleasures are simple and to be taken whenever opportuni­ty knocks (L'autre jour en m'y promenant). Tailleferre's knowing way of scoring for woodwinds is everywhere evident. Whether plodding, marching, waltzing, or tripping along in 6/8 meter, the instruments propel in rhythmic figures as readily as they color the more sustained cadences.


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