Allegro con brio; Adagio; Allegretto:
Thema con variazioni
The
trio in B-Flat, Op. 11, was written in 1797, and originally intended for piano,
clarinet, and cello. Beethoven made slight adjustments to the clarinet
part so that it could be played on the violin (a shrewd piece of
salesmanship). Both main themes in the first movement begin with a
similar three-note ascent, but they are very different in character. The
third bar in the opening unison (descending quarter notes) provides most of the
material used in the development section. The Adagio, in E-flat, is
sublime in sound and compact in form, with a free, rather rhapsodic
"development" and an embellished reprise. The finale is a set
of nine variations (with a coda) on an attractive tune from Joseph Weigl's
comic opera, "L'amor marinaro", which had been produced at the Burg-theater
in Vienna in October of 1797. It was to serve as the basis for variations
to a host of composer-pianists after Beethoven, and to Paganini, who wrote an
elaborate concert piece for violin and orchestra on this theme in 1828.
Beethoven's variations are succinct and well contrasted: No. 1 is for piano
solo, No. 2 for cello and violin, Nos. 4 and 7 are in the tonic minor key, and
the coda is in a syncopated 6/8 meter. Atlantic Piano Trio
Classical Music | Music for Trio
Ludwig van Beethoven
Trio for Piano, Violin and Cello in B-flat Major, Op. 11 Play
Recorded on 10/19/2004, uploaded on 01/20/2009
Musician's or Publisher's Notes
Trio in B-Flat Major, Op. 11 Ludwig van Beethoven
Allegro con brio; Adagio; Allegretto: Thema con variazioni
The trio in B-Flat, Op. 11, was written in 1797, and originally intended for piano, clarinet, and cello. Beethoven made slight adjustments to the clarinet part so that it could be played on the violin (a shrewd piece of salesmanship). Both main themes in the first movement begin with a similar three-note ascent, but they are very different in character. The third bar in the opening unison (descending quarter notes) provides most of the material used in the development section. The Adagio, in E-flat, is sublime in sound and compact in form, with a free, rather rhapsodic "development" and an embellished reprise. The finale is a set of nine variations (with a coda) on an attractive tune from Joseph Weigl's comic opera, "L'amor marinaro", which had been produced at the Burg-theater in Vienna in October of 1797. It was to serve as the basis for variations to a host of composer-pianists after Beethoven, and to Paganini, who wrote an elaborate concert piece for violin and orchestra on this theme in 1828. Beethoven's variations are succinct and well contrasted: No. 1 is for piano solo, No. 2 for cello and violin, Nos. 4 and 7 are in the tonic minor key, and the coda is in a syncopated 6/8 meter. Atlantic Piano Trio
More music by Ludwig van Beethoven
Piano Concerto No 2 in B-flat Major, Op. 19, Third Movement (Rondo: Allegro molto)
Sonata No. 32 in c minor, Op. 111
Piano Sonata No. 28 in A Major, Op. 101
Sonata No. 32 in c minor, Op. 111
33 Variations on a Waltz by Anton Diabelli, Op. 120
Fantasie in g minor, Op. 77
String Quartet No. 11 in f minor, Op. 95, Serioso
String Quartet Op. 131
Sonata for cello and piano in g minor, Op 5, No. 2
Seven Variations on “Bei Mannern, welche Liebe fuhlen” from Die Zauberflote by Mozart
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