Classical Music | Piano Music

Franz Joseph Haydn

CCSH Sonata Hob XVI 26. Dalle sei sonate Edizione Hummel 1774 Play Play

Nina Tichman

Piano

Recorded on 11/27/2011, uploaded on 11/27/2011

Musician's or Publisher's Notes

Istituto Europeo di Musica

Haydn-
Sonate per il pianoforte.

Academic Research-

Piano Department

2002-2011

CCSH -Ciclo completo delle Sonate di Haydn

Bibliography

Bonds, Mark Evan. Wordless Rhetoric: Musical Form and the Metaphor of Oration. Cambridge,MA: Harvard University Press, 1991.

Burnham, Scott. "The Role of Sonata Form in A. B. Marx's Theory of Form." Journal of Music Theory, vol. 33, no. 2 (Autumn 1989): 247-271.

"Form." The Cambridge History of Western Music Theory, ed. T. Christensen. Cambridge: Cambridge University Press, 2002.

Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. Oxford: Oxford University Press, 1998.

Damschroder, David and David Russell Williams. Music Theory from Zarlino to Schenker.Stuyvesant, NY: Pendragon, 1990.

Darcy, Warren. Review of Classical Form, by William E. Caplin. Music Theory Spectrum, vol. 22, no. 1 (Spring 2000): 122-125.

Hepokoski, James. "Beyond the Sonata Principle." Journal of the American Musicological Society, vol. 55, no. 1 (Spring 2002): 91-154.

Hepokoski, James and Warren Darcy. Elements of Sonata Theory: Norms, Types, and

Deformations in the Late-Eighteenth Century Sonata. Oxford: Oxford University Press, 2006.

Hill, John Walter. Review of Classical Music, by Leonard Ratner. Eighteenth-Century Studies, vol. 17, no. 1 (Autumn 1983): 78-82.

LaRue, Jan. Review of Sonata Forms, by Charles Rosen. Journal of the American Musicological Society, vol. 34, no. 3 (Autumn 1981): 557-566.

Meyer, Leonard. Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture. Chicago: University of Chicago Press, 1967.

Perry-Camp, Jane. Review of Sonata Forms, by Charles Rosen. Eighteenth-Century Studies, vol. 17, no. 2 (Winter 1983-84): 205-9.

Ratner, Leonard. Harmonic Aspects of Classic Form. Journal of the American Musicological Society, vol. 2, no. 3 (Autumn 1949): 159-168.

Classical Music: Expression, Form, and Style. New York: Schirmer, 1980.

Reicha, A. Treatise on Melody. Translated by P. M. Landey. Hillsdale, NY: Pendragon, 2000

Rosen, Charles. Sonata Forms. New York: W.W. Norton & Co. 1980.

Schenker, Heinrich. Free Composition, translated and edited by Ernst Oster. Hillsdale, NY: Pendragon Press, 1977.

Schmalfeldt, Janet. "Form as the Process of Becoming." Beethoven Forum 4. Lincoln: University of Nebraska Press, 1995.

Spitzer, Michael. Review of Classical Form by William E. Caplin. Music & Letters, vol. 81, no. 1 (February 2000): 110-115.

Tovey, Donald James. The Main Stream of Music and Other Essays. Oxford: Oxford University Press, 1949.

Webster, James. "Sonata Form." Grove Music Online. Ed. by L. Macy (accessed Nov. 1, 2007).

Six Sonates pour le Clavecin
Composés par Giuseppe Haydn
Oeuvre XIII.
chés Jean Julien Hummel à Berlin avec Privilége du Roi
à Amsterdam au Grand Magazin de Musique et aux Adreses Ordinaire

Sonata in la maggiore

Allegro moderato

Minuetto al Rovescio e Trio

Finale. Presto

Organico: clavicembalo o pianoforte solo
Edizione: Hummel, Berlino, 1774
Dedica: principe Nicolay Esterházy