Alexander Scriabin - Etude No. 12 in d-sharp minor, Op. 8
Elena Kuschnerova (Piano)

Alexander Scriabin - Etude No. 3 in b minor, Op. 8
Elena Kuschnerova (Piano)

Johannes Brahms - Intermezzo No. 2 in A Major, from Six Piano Pieces, Op. 118
Elena Kuschnerova (Piano)

An Open Question

This is a thought that I would like to put out there and see what kind of responses it gets. I've been thinking about this for a little while and it more or less goes along with my last post. Is there any other art (literature, dance, etc.) that is analyzed to the extent that music is? I can't think of one. For example, we don't subject a novel to the same kind of rigorous and complicated analytical techniques that we do a piece a music. Yet, a novel by, say Victor Hugo, I would consider of the same artistic quality, depth and substance as a Beethoven symphony.

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Complexity through Simplicity

I'm not sure exactly when it happened, sometime during my undergraduate degree, but I more or less pulled a complete 180 in regards to my views of music theory. In the beginning, I loved it and studied as much of it as I could. I thought music theory and analysis to be a necessary part of musical understanding. Later, however, my approach became simpler and simpler. I started to shun most of the established "theories" and the grandiose, complicated analyses written by theorists, and turned to the simpler methods.

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George Gershwin - Virtuoso Etudes
May Phang (Piano)

Johann Nepomuk Hummel - Variations on a Theme from Gluck's Armide, Op. 57
May Phang (Piano)

Marc-André Hamelin - Etude Hommage à Scarlatti
May Phang (Piano)

Domenico Scarlatti - Sonata in D minor, K. 213
May Phang (Piano)

"Art Has No Limits"

I was reminded today about a quote by Beethoven:

The true artist is not proud, he unfortunately sees that art has no limits; he feels darkly how far he is from the goal; and though he may be admired by others, he is sad not to have reached that point to which his better genius only appears as a distant, guiding sun.

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