Albert Markov, Violin
Performances by Albert Markov
| Composer | Title | Date | Action |
|---|---|---|---|
| Arcangelo Corelli | La Folia (arr. Kreisler) | 02/23/2009 |
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| Niccolò Paganini | Moses, Variations on One String | 02/21/2009 |
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| Niccolò Paganini | Carnevale di Venezia (arr. Markov) | 02/21/2009 |
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| Fritz Kreisler | Gipsy Caprice | 02/21/2009 |
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| Dmitri Kabalevsky | Improvisation, Op. 21 | 02/21/2009 |
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| Richard Heuberger | Viennese Melody | 02/21/2009 |
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| Alexander Glazunov | Meditation | 02/21/2009 |
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| Zdeněk Fibich | Poem | 02/21/2009 |
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| Manuel de Falla | Danse Espagnole | 02/21/2009 |
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| Edward Elgar | Salut d'Amour | 03/02/2009 |
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| Johannes Brahms | Hungarian Dance | 02/21/2009 |
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| Ludwig van Beethoven | Andante | 02/21/2009 |
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| Wolfgang Amadeus Mozart | Sinfonia Concertante, K. 364 | 02/21/2009 |
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| Franz Schubert | Ave Maria | 02/21/2009 |
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| Johann Sebastian Bach | Concerto for 2 Violins in D Minor, BWV 1043 | 03/18/2009 |
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| Albert Markov | Symphony “Kinnor David” | 02/21/2009 |
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| Jean Sibelius | Violin Concerto | 03/18/2009 |
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| Albert Markov | Spartacus (after Aram Khachaturian) | 02/23/2009 |
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| Albert Markov | Venetian Carnival (after Niccolò Paganini) | 02/23/2009 |
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| Niccolò Paganini | Concerto No. 2, Op. 7 | 02/23/2009 |
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| Niccolò Paganini | Sonata No. 6, Op. 2 | 02/23/2009 |
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| Niccolò Paganini | Sonata No. 2, Op. 2 | 02/23/2009 |
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| Niccolò Paganini | Le Streghe | 02/23/2009 |
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| Franz Schubert | Rondo, Op. 53 | 02/21/2009 |
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| Dmitry Shostakovich | Andante, from Three Fantastic Dances Op. 5 | 02/21/2009 |
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| Dmitry Shostakovich | Allegro, from Three Fantastic Dances Op. 5 | 02/21/2009 |
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| Henryk Wieniawski | Mazurka | 02/21/2009 |
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| Pablo de Sarasate | Playera | 02/21/2009 |
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| Pablo de Sarasate | Zapateado, Op. 21, No. 6, from Three Spanish Dances | 02/21/2009 |
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| Pablo de Sarasate | Habanera, Op. 21, No. 2, from Three Spanish Dances | 02/21/2009 |
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| Pablo de Sarasate | Navarra | 02/21/2009 |
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| Franz Vecsey | Pensee Triste | 02/21/2009 |
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| Fritz Kreisler | Syncopation | 02/21/2009 |
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| Fritz Kreisler | Lotus Land (after Scott) | 02/21/2009 |
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| Albert Markov | Allegro | 02/21/2009 |
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| Sergei Rachmaninov | Serenade, Op. 3 | 02/21/2009 |
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| Sergei Rachmaninov | Romance, Op. 34 | 02/21/2009 |
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| Sergei Prokofiev | Musical Moment | 02/21/2009 |
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| Sergei Prokofiev | Serenade | 02/21/2009 |
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| Pyotr Ilyich Tchaikovsky | Song Without Words | 02/21/2009 |
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| Manuel Ponce | Estrellita, from Canciones Mexicanas | 02/21/2009 |
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| Albert Markov | Baroque Variations on the Chinese Theme | 02/21/2009 |
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| Albert Markov | Porgy Rhapsody (after Gershwin) | 02/21/2009 |
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| Dmitry Shostakovich | Four Preludes (arr. Albert Markov) | 02/21/2009 |
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| Henryk Wieniawski | Etude No. 1, Op. 18 | 02/21/2009 |
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| Benjamin Godard | Abandon | 02/21/2009 |
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| Benjamin Godard | Serenade | 02/21/2009 |
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| Albert Markov | “Formosa” Suite | 02/21/2009 |
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| Albert Markov | Violin Concerto, “Chinese” | 02/21/2009 |
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| Bidzina Kvernadze | Violin Concerto | 02/21/2009 |
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| Ulvi Cemal Erkin | Violin Concerto No. 1 in G Minor | 02/21/2009 |
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| Karol Szymanowski | Violin Concerto No. 1, Op. 35 | 02/21/2009 |
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| Dmitry Shostakovich | Violin Concerto No. 1, Op. 99 | 02/21/2009 |
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Performances composed by Albert Markov
| Composer | Title | Date | Action |
|---|---|---|---|
| Albert Markov | Violin Concerto, “Chinese” | 02/21/2009 |
|
| Albert Markov | “Formosa” Suite | 02/21/2009 |
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| Albert Markov | Porgy Rhapsody (after Gershwin) | 02/21/2009 |
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| Albert Markov | Baroque Variations on the Chinese Theme | 02/21/2009 |
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| Albert Markov | Allegro | 02/21/2009 |
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| Albert Markov | Venetian Carnival (after Niccolò Paganini) | 02/23/2009 |
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| Albert Markov | Spartacus (after Aram Khachaturian) | 02/23/2009 |
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| Albert Markov | Symphony “Kinnor David” | 02/21/2009 |
|

Albert Markov (A.Markov), Violin
Biography
Albert Markov
immigrated to the United States from Russia in 1975 and made his sensational
debut with the Houston Symphony in May, 1976, prompting a New York Times
reviewer to write: "The audience roared approval, coming to its feet for
three standing ovations, Mr. Markov wowed them with dazzling
pyrotechnics."
Following performances with symphonies and solo appearances at Carnegie Hall in
New York, Markov performed at the Kennedy Center in Washington, D.C. and played
a great media acclaim in concert halls in Chicago, Los Angeles, Detroit,
Philadelphia, Houston, Toronto, Montreal and other cities of North and South
America, Europe, Asia, and Africa. He appeared with such conductors as James
Conlon, Neeme Jarvi, David Zinman, Andrew Litton, Lukas Foss, Sixten Ehrling,
Kazuyoshi Akiyama, Sergiu Comissiona, Sir Charles Groves and others.
After almost 20 years of absence from the Russian concert stage, Mr.
Markov entered the music scene again in Moscow in May, 1994.
His recent works are the Violin Concertos, Formosa Suite for Violin and
Orchestra (both recorded by Mr. Markov with the Russian National Orchestra on
the Sunrise label) and the Symphony "Kinnor David" premiered in
Moscow. Albert Markov is the only concert violinist of the 20th century who has
created major compositions and which are performed internationally and are
commercially recorded.
His recordings are on Sunrise, Melodia and Musical Heritage Society
labels. His compositions, which have been published by G. Schirmer (USA) and
Muzyka (Russia) are: Sonatas for Solo and Duo Violins, Three Rhapsodies,
Caprices.
Mr. Markov is the Music Director of the Rondo Chamber Orchestra
appearing both as a soloist and conductor. Mr. Markov teaches at the Manhattan
School of Music. Among his students are prize winners of the International
Competitions and members of the leading orchestras. Mr. Markov's Violin
Technique and Little Violinist (G. Schrimer, USA) are worldwide recognized
violin methods.
Mr. Markov studied at Kharkov and Moscow conservatories under Lechinsky
and Yankelevich. Winning the Gold Medal in the Queen Elizabeth Competition in
Brussels, he was concertizing extensively.
Aram Khachaturian
wrote: "Albert Markov's activities have had many facets . . . in all
spheres of actions, he shows a remarkable talent. As a violinist, he is one of
our best. As a teacher, he has trained excellent violinists. As a composer, he
is remarkable in the originality of his compositions. In summary, Albert Markov
is an outstanding musician."