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The performance is lively and is quite engaging even if it's not perfect.
Submitted by Pronetoviolins on Sat, 11/06/2010 - 22:28.
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Classical Music | Violin Music
Johann Sebastian Bach
Concerto for 2 Violins in D Minor, BWV 1043 Play
Recorded on 04/19/2000, uploaded on 03/18/2009
Musician's or Publisher's Notes
Concerto in D minor for 2 Violins, BWV 1043 Johann Sebastian Bach
Bach’s Concerto for Two Violins, Strings and Continuo is one of his best known works and a prime example of the Baroque concerto form. It was composed in 1730-31 while Bach served as Kapellmeister in Köthen. He later transcribed the work for two harpsichords, transposing the key to C minor.
As is expected of a concerto, the three movements alternate in a fast-slow-fast progression. The first movement opens with a lively melody. It is immediately answered in the dominant key and accompanied by a countersubject that becomes an important figure throughout the rest of the movement. The two soloists weave delicate counterpoints around each other in the solo sections, often imitating each other’s melodic lines. A final statement of the melody closes the movement.
The following slow movement opens with a graceful melody in the second soloist. It is, then, answered by first soloist while the second provides a gentle sixteenth-note accompaniment. A new melody appears later, partially constructed from a fragment of the first theme, in which an ascending semitone is alternated between the two soloists—played legato by one and staccato by the other. Though a new melody, the pastoral mood is never abandoned. The first theme returns in the tonic key shortly before the close of the movement.
The energetic finale begins with a descending melodic line played by both soloists, though the second enters a quarter-note after the first, which becomes the motivic germ of the movement. Like the first movement, the soloists provide intricate counterpoints for each other as the melodic lines are constantly tossed between them. Joseph DuBose
Recorded live. At the time of the recording Elizabeth Woo was 11.
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Prelude and Fugue in A-flat Major from Well-Tempered Clavier, Book I
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Cello Suite No. 4 BWV 1010 Allemande
Merke, mein Herze
Italian concerto, BWV 971
Allemande from French Suite n.5
Sheep May Safely Graze
Sarabande from French Suite n.5
Wachet auf, ruft uns die Stimme, BWV 645 from Cantata BWV 140
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