Feldeinsamkeit from Sechs Lieder, op. 86 Johannes Brahms
The Sechs Lieder,
op. 86 is the last set of songs that fall into Brahms's roughly defined middle
period. Though the opus number suggests a later composition date, many of the
Lieder from this set were heard in manuscript form as early as 1878, placing
them close to the composition of the opp. 69-72 sets. By this time, Brahms's
had attained a masterly skill of both form and expression in his Lieder. The
voice was increasingly woven into the overall musical texture. Furthermore,
like his late piano pieces, the composition techniques used became more and
more subtle.
The second song of the op. 86 set, Feldeinsamkeit ("Alone in the Fields"), continues a nature-theme
that runs through several of the songs of this period. In this particular song,
the lyrics describe the artist lying in a field of grass looking up at the sky.
The rising and falling melodic line, thus, portrays the clouds passing over the
observer who is held fast to the earth by the gravity of a tonic pedal.
Classical Music | Baritone
Johannes Brahms
Feldeinsamkeit Play
Recorded on 04/06/2005, uploaded on 03/21/2009
Musician's or Publisher's Notes
Feldeinsamkeit from Sechs Lieder, op. 86 Johannes Brahms
The Sechs Lieder, op. 86 is the last set of songs that fall into Brahms's roughly defined middle period. Though the opus number suggests a later composition date, many of the Lieder from this set were heard in manuscript form as early as 1878, placing them close to the composition of the opp. 69-72 sets. By this time, Brahms's had attained a masterly skill of both form and expression in his Lieder. The voice was increasingly woven into the overall musical texture. Furthermore, like his late piano pieces, the composition techniques used became more and more subtle.
The second song of the op. 86 set, Feldeinsamkeit ("Alone in the Fields"), continues a nature-theme that runs through several of the songs of this period. In this particular song, the lyrics describe the artist lying in a field of grass looking up at the sky. The rising and falling melodic line, thus, portrays the clouds passing over the observer who is held fast to the earth by the gravity of a tonic pedal.
Text by Hermann Allmers
Quiet I rest in tall green grass
and upward long direct my gaze,
by unremitting crickets ringed,
enfolded wondrously by blue sky.
More music by Johannes Brahms
Intermezzo in a minor, Op. 116, No. 2, from Seven Fantasies
Intermezzo No. 2 in A Major, from Six Piano Pieces, Op. 118
Piano Quintet in f minor, Op 34
Piano Quartet in A Major, Op. 26
Piano Sonata No. 3 in F minor Op. 5
Rhapsody in G minor, Op. 79, No. 2
Intermezzo in e minor, Op. 116, No. 5, from Seven Fantasies
Three Intermezzos, Op. 117
Intermezzo No. 1 in E-flat Major Op.117
Intermezzo No. 2 in b-flat minor Op.117
Performances by same musician(s)
Cinq Mélodies Populaires Grecques
Beau Soir
Die Beiden Grenadiere
The Vagabond, from Songs of Travel
Ah! Per sempre io ti perdei, from I Puritani
Alte Liebe
O! du mein holder Abendstern, from Tannhäuser
Black Max
Classical Music for the Internet Era™
Courtesy of International Music Foundation.