The "Five Easy Pieces",
written in 1917, are short, humorous character dances for piano, four hands.
The title is purposely misleading as only one of the parts, the upper-or primo
part-is actually easy. The secundo is far from being easy; it is musically much
more complex and technically more demanding.
The primo
introduces naive melodies, based on little motives within a small range of
notes. Sometimes singing, sometimes dancing, the melodies always contain a
childlike charm. This is achieved not least by the fact that the primo part is
played solely on the white keys. The
secundo, on the other hand, has intriguing patterns with abundance of stinging, dissonant notes,
lots of modulations and many distinguished rhythmical motives. More simplicity
in the secundo part, as in the Andante
and the Balalaika, is achieved by the
flowing and repetitive patterns of a "perpetuum mobile".
In the years 1917-1925, Stravinsky wrote an orchestral version of the pieces.
Together with three additional short pieces, they create the cycles titled
"Suite No. 1" and "Suite No. 2". Sivan
Silver & Gil Garburg
Classical Music | Music for Duo
Igor Stravinsky
Five Easy Pieces Play
Recorded on 02/19/2008, uploaded on 01/12/2009
Musician's or Publisher's Notes
Five Easy Pieces Igor Stravinsky
Andante; Española; Balalaїka; Napolitana; Galop
The "Five Easy Pieces", written in 1917, are short, humorous character dances for piano, four hands. The title is purposely misleading as only one of the parts, the upper-or primo part-is actually easy. The secundo is far from being easy; it is musically much more complex and technically more demanding.
The primo introduces naive melodies, based on little motives within a small range of notes. Sometimes singing, sometimes dancing, the melodies always contain a childlike charm. This is achieved not least by the fact that the primo part is played solely on the white keys. The secundo, on the other hand, has intriguing patterns with abundance of stinging, dissonant notes, lots of modulations and many distinguished rhythmical motives. More simplicity in the secundo part, as in the Andante and the Balalaika, is achieved by the flowing and repetitive patterns of a "perpetuum mobile".
In the years 1917-1925, Stravinsky wrote an orchestral version of the pieces. Together with three additional short pieces, they create the cycles titled "Suite No. 1" and "Suite No. 2". Sivan Silver & Gil Garburg
More music by Igor Stravinsky
Firebird Suite (arr. Agosti)
Berceuse, from "The Firebird"
Danse Russe, from Petrushka
Petrushka (four tableaux)
Suite Italienne for Violin and Piano
Suite from Firebird
Suite Italienne for Violin and Piano
Sonata
The Shrovetide Fair from Petrouchka
Scherzo, from "The Firebird"
Performances by same musician(s)
Petrushka (four tableaux)
A Midsummer Night's Dream
Three Songs Without Words
Classical Music for the Internet Era™
Courtesy of International Music Foundation.