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I find this composition to be very alluring and exquisite.
Submitted by Sephiroth on Mon, 09/23/2013 - 14:21.
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Himmel von Beethoven! Vielen Dank!
Submitted by Dr Terry on Wed, 05/07/2014 - 21:05.
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Noch einmal horen!
Submitted by Dr Terry on Wed, 05/07/2014 - 21:07.
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Wunderbar! Bravo Encore!
Submitted by kashrut on Thu, 03/17/2016 - 01:07.
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Very nice
Submitted by Malachy Bowles on Mon, 02/13/2017 - 12:56.
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very nice
Submitted by keenan2004 on Tue, 04/11/2017 - 15:40.
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Bertoli allowed it to speak for itself but still gave it extra tone when needed. Not easy!
Submitted by rumwoldleigh on Mon, 12/30/2019 - 08:30.
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Classical Music | Piano Music
Ludwig van Beethoven
Bagatelle No. 25 in A minor "Für Elise"
PlayRecorded on 01/01/2006, uploaded on 02/03/2009
Musician's or Publisher's Notes
Für Elise (Bagatelle No. 25 in A minor) Ludwig van Beethoven
If it had to be decided which piece contained Beethoven's most famous melody, it would probably be a toss-up between the opening notes of the Fifth Symphony or Für Elise. This short piece for solo piano is perhaps one of the most well-known compositions of all time.
The actual title is the Bagatelle No. 25 in A minor and it dates from April 1810. However, the piece was not published until 1865, nearly four decades after Beethoven's death. Its popular title Für Elise (For Elise) has not yet been definitively explained. One possibility suggests that the work's discoverer Ludwig Nohl may have transcribed the title incorrectly and the original title may have been Für Therese. Regrettably, the original manuscript is now lost. In this case the dedicatee may have been Therese Malfatti von Rohrenbach von Dezza, to whom Beethoven proposed unsuccessfully in 1810, or the Countess Thérèse von Brunswick. The other possibility, proposed by Klaus Martin Kopitz, suggests the piece may have been written for the singer Elisabeth Röckel, the later wife of Johann Nepulmuk Hummel and a close friend of Beethoven.
It has also been remarked that the trill-like figure that opens the piece represents the name of whoever the intended dedicatee might have been. Of the letters in the name Elise, E and S are capable of being translated into musical pitches. In Germany, the note E flat is called Es, sounding like the letter S. Thus, if the E flat is respelled enharmonically as D sharp, the resulting notes are E and D sharp which form the recurrent quasi-trill. Joseph DuBose
More music by Ludwig van Beethoven
Piano Concerto No 2 in B-flat Major, Op. 19, Third Movement (Rondo: Allegro molto)
Sonata No. 32 in c minor, Op. 111
Piano Sonata No. 28 in A Major, Op. 101
Sonata No. 32 in c minor, Op. 111
33 Variations on a Waltz by Anton Diabelli, Op. 120
Fantasie in g minor, Op. 77
String Quartet No. 11 in f minor, Op. 95, Serioso
String Quartet Op. 131
Sonata for cello and piano in g minor, Op 5, No. 2
Seven Variations on “Bei Mannern, welche Liebe fuhlen” from Die Zauberflote by Mozart
Performances by same musician(s)
Danza Argentina n.3
Sonata in e minor, K. 98
Träumerei (Dreaming), from Kinderszenen Op.15
Romance
Sonata No. 13 Op. 27, No. 1 in E-flat Major, "Quasi una Fantasia"
Intermezzo No. 2 in A Major, from Six Piano Pieces, Op. 118
Piano Concerto in D Major, Hob. XVIII
Sonata for Piano and Flute Op. 94, No. 2
Hungarian Rhapsody No. 6 in D-flat Major
Sonata in E major, K. 531
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