The title Estampesrefers to images printed from engraved copper or wood plates. Pagodes(Pagodas) transports us to the Far East, and evokes the sound and images of an exotic Asian landscape. Throughout Debussy’s life, the images and sounds of the Far East inspired his imagination and creativity. In Pagodes, Debussy makes use of the pentatonic scale, as well as mimicking the sounds of Javanese Gamelan percussion. Soirée dans Granade(Evening in Granada) is the first of three works by Debussy inspired by Spain, a country he never visited. Spanish composer Manuel de Falla said of Soirée dans Granade, "There is not even one measure of this music borrowed from Spanish folklore, and yet the entire composition in its most minute details, conveys admirably Spain.” Debussy saw the score of Ravel’s original two-piano version of Habañera following its first performance in 1898, and he paid subtle tribute to Ravel five years later by labeling Soirée dans Grenade as “Mouvement de Habañera.” Jardins sous la Pluie (Garden in the Rain) delicately weaves two French nursery songs. Chromatic, whole tone, major and minor scales are used throughout the piece. This movement was apparently inspired by a scene described by the painter Jacques-Emile Blanche one rainy afternoon as he set out to draw a sketch of the composer. Katsura Tanikawa
Classical Music | Piano Music
Claude Debussy
Estampes Play
Recorded on 04/06/2011, uploaded on 10/03/2011
Musician's or Publisher's Notes
The title Estampes refers to images printed from engraved copper or wood plates. Pagodes (Pagodas) transports us to the Far East, and evokes the sound and images of an exotic Asian landscape. Throughout Debussy’s life, the images and sounds of the Far East inspired his imagination and creativity. In Pagodes, Debussy makes use of the pentatonic scale, as well as mimicking the sounds of Javanese Gamelan percussion. Soirée dans Granade (Evening in Granada) is the first of three works by Debussy inspired by Spain, a country he never visited. Spanish composer Manuel de Falla said of Soirée dans Granade, "There is not even one measure of this music borrowed from Spanish folklore, and yet the entire composition in its most minute details, conveys admirably Spain.” Debussy saw the score of Ravel’s original two-piano version of Habañera following its first performance in 1898, and he paid subtle tribute to Ravel five years later by labeling Soirée dans Grenade as “Mouvement de Habañera.” Jardins sous la Pluie (Garden in the Rain) delicately weaves two French nursery songs. Chromatic, whole tone, major and minor scales are used throughout the piece. This movement was apparently inspired by a scene described by the painter Jacques-Emile Blanche one rainy afternoon as he set out to draw a sketch of the composer. Katsura Tanikawa
More music by Claude Debussy
Hommage à Rameau, from Images, Book 1
Sonata for Cello and Piano
La Puerta del Vino, from Préludes Book II
Poissons d’or, from Images, Book II
Soiree dans Grenade, from Estampes
Rapsodie (arr. Rousseau)
Beau Soir
Reflets dans l’eau, from Images, Book 1
Ondine, from Préludes Book II
Bruyères, from Préludes Book 2, No. 5
Performances by same musician(s)
Toccata in E minor, BWV 914
“My Joys,” from Six Chants polonais (Chopin), S.480
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