Prelude Op. 32, No. 5, in G Major Sergei Rachmaninov
Perhaps the most renowned composition by Sergei Rachmaninoff during his
lifetime was the Prelude in c-sharp minor. Fresh from his studies at the Moscow
Conservatory in 1892, he wrote it as part of a group of five Morceaux de
fantaisie, Op. 3, but it was during his concert tours after he left Russia
in 1917 that the piece invariably was demanded on his programs (and if he did
not play it as part of the concert, it was demanded as an encore). Whatever his
thoughts about the piece at the time he wrote it, he certainly never envisioned
a cycle of preludes in all the major and minor keys. Nevertheless, he returned
to the genre in 1901, composing a work in g minor (it would become No. 5 in his
next collection), and in 1903 wrote nine others, publishing the group as his
Op. 23. Rachmaninoff would complete the cycle of keys with 13 additional
preludes, composed in 1910 and published as Op. 32. Although each collection is
carefully arranged to alternate mood and key, there is otherwise no strict
logic to the sequence, nor, as with the two collections of études-tableaux, is
there a need to perform them as a group. Alessio Bax
Classical Music | Piano Music
Sergei Rachmaninov
Prelude Op. 32, No. 5, in G Major Play
Recorded on 08/28/2007, uploaded on 01/12/2009
Musician's or Publisher's Notes
Prelude Op. 32, No. 5, in G Major Sergei Rachmaninov
Perhaps the most renowned composition by Sergei Rachmaninoff during his lifetime was the Prelude in c-sharp minor. Fresh from his studies at the Moscow Conservatory in 1892, he wrote it as part of a group of five Morceaux de fantaisie, Op. 3, but it was during his concert tours after he left Russia in 1917 that the piece invariably was demanded on his programs (and if he did not play it as part of the concert, it was demanded as an encore). Whatever his thoughts about the piece at the time he wrote it, he certainly never envisioned a cycle of preludes in all the major and minor keys. Nevertheless, he returned to the genre in 1901, composing a work in g minor (it would become No. 5 in his next collection), and in 1903 wrote nine others, publishing the group as his Op. 23. Rachmaninoff would complete the cycle of keys with 13 additional preludes, composed in 1910 and published as Op. 32. Although each collection is carefully arranged to alternate mood and key, there is otherwise no strict logic to the sequence, nor, as with the two collections of études-tableaux, is there a need to perform them as a group. Alessio Bax
More music by Sergei Rachmaninov
Piano Concerto No. 3 in d minor, Op. 30
V molchan’i nochi taynoy (In the silence of the secret night), Opus 4, No. 3
Etudes-Tableaux, Op. 39, No. 2 in a minor
Prelude Op. 23 No. 6
Etude-Tableaux, Op, 39, No. 8 in d minor
Piano Sonata No. 2 in b-flat minor, Op.36
Moments Musicaux, Op. 16
Prelude Op. 32, No. 10, in b minor
Rhapsody on a Theme of Paganini, Op.43 (Variation 18)
Barcarolle for two pianos (from Suite-tableau No. 1)
Performances by same musician(s)
Danse Russe and The Shrovetide Fair, from Petrushka
Tango No. 2
Prelude Op. 3, No. 2, in c-sharp minor
Libertango
Prelude Op. 23, No. 2, in B-flat Major
La Valse
Fantasy in f minor, D. 940
Prelude Op. 32, No. 10, in b minor
Prelude Op. 23, No. 10, in G-flat Major
Prelude Op. 32, No. 12, in g-sharp minor
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