Classical Music | Piano Music

Recorded on 05/28/2011, uploaded on 05/28/2011

Musician's or Publisher's Notes
n 1905, Maurice Ravel, near the exact midpoint of his life, wrote Miroirs. In that music, he looked back to youthful and lasting piano successes, but looked ahead to the brilliant Impressionist works that make his music riveting. Miroirs preceded any of Debussy's epochal piano works, and claim attention for Ravel as pioneer, innovator and even magician. He wrote at the time that these pieces "…mark a rather considerable change in my harmonic evolution." He could also have mentioned the new complexity of his rhythms and the extraordinary subtlety of the virtuosic music he had written.

Looking forward and backward is an image apt for Ravel. Miroirs is a classical piece, a gloss on the austerity of the 18th century, yet its expanded tonality colors the music with exotic shades, and the virtuosity it demands sharply limits the number of pianists able to explore it. In other works, he found inspiration in older music, yet he was early identified as a flaming modernist.

The five sections of Miroirs describe imagined scenes.  In the fourth, "Alborada del Gracioso," the dramatic climax of the set, Ravel captures the Spanish mythos, its rhythms and guitar sounds, and shows off rapidly repeated notes.  This section was dedicated to Michel Dimitri Calvocoressi, a music writer.

Courtesy of International Music Foundation.