Maurice Ravel was inspired to compose Sonatine by a 1903 competition sponsored
by the Weekly Critical Review, a fine
arts and literary magazine. The requirement was a first movement of a piano
sonatina no longer than seventy-five measures, and the prize offered was one
hundred francs. However, the magazine went out of business and the contest was
cancelled. The remaining second and third movements were completed two years
later, keeping the late eighteenth-century elegance and classical structure.
Both are short in length, probably to maintain proportion to the first
movement. Ravel frequently programmed the first two movements of the Sonatine, not the last, however, fearing
he could not play it well enough. Stephanie Shih-yu Cheng
Classical Music | Piano Music
Maurice Ravel
Sonatine Play
Recorded on 11/15/2005, uploaded on 01/09/2009
Musician's or Publisher's Notes
Sonatine Maurice Ravel
Modéré; Mouvement de menuet; Animé
Maurice Ravel was inspired to compose Sonatine by a 1903 competition sponsored by the Weekly Critical Review, a fine arts and literary magazine. The requirement was a first movement of a piano sonatina no longer than seventy-five measures, and the prize offered was one hundred francs. However, the magazine went out of business and the contest was cancelled. The remaining second and third movements were completed two years later, keeping the late eighteenth-century elegance and classical structure. Both are short in length, probably to maintain proportion to the first movement. Ravel frequently programmed the first two movements of the Sonatine, not the last, however, fearing he could not play it well enough. Stephanie Shih-yu Cheng
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À la manière de Chabrier
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Gaspard de la Nuit - Le Gibet
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Blues, from Sonata for violin and piano
Rhapsodie espagnole
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Performances by same musician(s)
Gaspard de la Nuit - Ondine
Gaspard de la Nuit - Le Gibet
Gaspard de la Nuit - Scarbo
La Puerta del Vino, from Préludes Book II
Soiree dans Grenade, from Estampes
Thorn-Torn Lips
Pièce en Forme de Habanera
Caprice Espagnol, Op. 37
Introduction and Polonaise Brillante
Sonata for Cello and Piano
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