The existence of Sibelius's later opuses cannot be explained by a lack of
money, for at this stage the composer was a wealthy man and free from debt. And
it is difficult to believe that the last two violin opuses would have been
written with the general public in mind. On the contrary, the violin works
published in 1929 are enigmatic experiments with material in the style of
Beethoven's late bagatelles or Liszt's piano compositions from the 1880s.
Ballade experiments with exciting appoggiatura dissonances
which resolve into new dissonances in the style of late-period Liszt. In the
middle of the piece E minor changes into a grandioso type of Largamente in E
major.
Classical Music | Violin Music
Jean Sibelius
Ballade, from Romantic Pieces, Op. 115 Play
Recorded on 12/22/2010, uploaded on 05/19/2011
Musician's or Publisher's Notes
The existence of Sibelius's later opuses cannot be explained by a lack of money, for at this stage the composer was a wealthy man and free from debt. And it is difficult to believe that the last two violin opuses would have been written with the general public in mind. On the contrary, the violin works published in 1929 are enigmatic experiments with material in the style of Beethoven's late bagatelles or Liszt's piano compositions from the 1880s.
Ballade experiments with exciting appoggiatura dissonances which resolve into new dissonances in the style of late-period Liszt. In the middle of the piece E minor changes into a grandioso type of Largamente in E major.
Emma SteeleMore music by Jean Sibelius
Violin Concerto
The Spruce, Op. 75, No. 5
Symphony No. 1 (Allegro)
The Lonely Pine, Op. 75 No. 2
Auf der Heide, from Romantic Pieces, Op. 115
Die Glocken, from Romantic Pieces, Op. 115
Flickan kom ifrån sin älsklings mote, Op. 37 No. 5
Var det en dröm Op. 37 No. 4
Norden Op. 90 No. 1
Hjärtats morgon Op. 13 No. 3
Performances by same musician(s)
Violin Sonata No. 22 in A major, K. 305
Auf der Heide, from Romantic Pieces, Op. 115
Die Glocken, from Romantic Pieces, Op. 115
Variations on an Original Theme in A Major, Op. 15
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