Of Bach’s tremendous compositional output, only a handful of
his works were published during his lifetime. A significant portion is taken up
by the collection of works published in the four volumes of the Clavier-Übung (“Keyboard Practice”)
between 1726 and 1741.
One such work in this collection is the Concerto after the Italian style, better known today as simply the Italian Concerto. It was published in
1735 alongside the Overture in the French
Style as part of Clavier-Übung II.
Since then, it has become one of Bach’s most popular works for keyboard and is
often performed on both harpsichord and piano.
Though called a “concerto,” the work is for harpsichord
alone. To achieve the effect of contrasting instrumental groups, which is the
crucial element of any concerto, Bach employs the forte and piano manuals
of the two-manual harpsichord. Incidentally, the ItalianConcerto is one
of only a few of Bach’s composition that specifically call for the two-manual
instrument—the others being its companion, the French Overture, and the Goldberg
Variations.
The three-movement concerto is in the key of F major. The
outer movements, both in lively duple meters and ritornello style, frame a somber arioso movement in D minor. Joseph DuBose
This recording is part of Elena Kuschnerova's all-Bach recital that was released on ORFEO in 2001. Rosette in Penguin Guide 2003/04
Classical Music | Piano Music
Johann Sebastian Bach
Italian concerto, BWV 971 Play
Recorded on 03/22/2000, uploaded on 02/18/2010
Musician's or Publisher's Notes
Italian Concerto, BWV 971 Johann Sebastian Bach
Of Bach’s tremendous compositional output, only a handful of his works were published during his lifetime. A significant portion is taken up by the collection of works published in the four volumes of the Clavier-Übung (“Keyboard Practice”) between 1726 and 1741.
One such work in this collection is the Concerto after the Italian style, better known today as simply the Italian Concerto. It was published in 1735 alongside the Overture in the French Style as part of Clavier-Übung II. Since then, it has become one of Bach’s most popular works for keyboard and is often performed on both harpsichord and piano.
Though called a “concerto,” the work is for harpsichord alone. To achieve the effect of contrasting instrumental groups, which is the crucial element of any concerto, Bach employs the forte and piano manuals of the two-manual harpsichord. Incidentally, the Italian Concerto is one of only a few of Bach’s composition that specifically call for the two-manual instrument—the others being its companion, the French Overture, and the Goldberg Variations.
The three-movement concerto is in the key of F major. The outer movements, both in lively duple meters and ritornello style, frame a somber arioso movement in D minor. Joseph DuBose
This recording is part of Elena Kuschnerova's all-Bach recital that was released on ORFEO in 2001. Rosette in Penguin Guide 2003/04
More music by Johann Sebastian Bach
Merke, mein Herze
Allemande from French Suite n.5
Sarabande from French Suite n.5
Wachet auf, ruft uns die Stimme, BWV 645 from Cantata BWV 140
Sheep May Safely Graze
Sonata in E Major, BWV 1035
Nun komm’ der Heiden Heiland, BWV 659
Concerto in d minor BWV 1052 (2)
Prelude and Fugue in e minor, Well-Tempered Clavier, Book II
English Suite No. 2 in a minor, BWV 807
Performances by same musician(s)
Prelude and Fugue in c minor (WTC I) BWV 847
Intermezzo No. 2 in A Major, from Six Piano Pieces, Op. 118
Nocturne in D-flat Major, Op. 27, No. 2
Scherzo - Sonatensatz for violin & piano
Toccata in e minor BWV 914
Prelude and Theme with Variations (1982)
7 Romantic Ballades Op.2 bis - 4-The Spectres
Capriccio in g minor, Op. 116, No. 3, from Seven Fantasies
Etude No. 3 in b minor, Op. 8
Etude No. 12 in d-sharp minor, Op. 8
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