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Performances by same musician(s)
Frédéric Chopin
Mazurka in A-flat Major, Op. 41, No. 4
Mazurka in A-flat Major, Op. 41, No. 4
Jean-Philippe Rameau
Le rappel des oiseaux (Bird Calls)
Le rappel des oiseaux (Bird Calls)
Johannes Brahms
Rhapsody in G minor, Op. 79, No. 2
Rhapsody in G minor, Op. 79, No. 2
Franz Liszt
Tarantella, from Venezia e Napoli
Tarantella, from Venezia e Napoli
Franz Liszt
Sonetto 104 del Petrarca
Sonetto 104 del Petrarca
Claude Debussy
Hommage à Rameau, from Images, Book 1
Hommage à Rameau, from Images, Book 1
Alexander Scriabin
Poem in F-Sharp Major, Op. 32
Poem in F-Sharp Major, Op. 32
Frédéric Chopin
Ballade No. 4 in f minor, Op. 52
Ballade No. 4 in f minor, Op. 52
Frédéric Chopin
Etude No. 8 in F major, Op. 10
Etude No. 8 in F major, Op. 10
Sergei Rachmaninov
Prelude Op. 32, No. 5, in G Major
Prelude Op. 32, No. 5, in G Major


Classical Music | Piano Music
Isaac Albéniz
Cordoba, Op. 232, No. 4 Play
Recorded on 07/10/1991, uploaded on 02/12/2009
Musician's or Publisher's Notes
Cordoba comes from a set of pieces by Albeniz called "Songs of Spain," each one describing a different Spanish province. The slow introduction to this beautiful piece describes the stillness of a Spanish night. One moment in particular strikes me because it comes extremely close to the sound of Russian Orthodox choir music. This is apparently coincidental, although there are definitely some links between Spanish and Russian music (starting with two Spanish Overtures by Glinka). The faster part of Cordoba is like a melancholic serenade accompanied by guitar. Its victorious major key culmination is interrupted at its peak. The piece never gets all that fast, however, because Spanish music always contains a feeling of dignity and melancholy.
Dmitry Paperno
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