Orchestral Suite No. 2 in b minor, BWV 1067 Johann Sebastian Bach
Ouverture, Rondeau, Sarabande, Bourrée I Bourrée II, Popnoaise, Double, Badinerie Johann Sebastian Bach was deeply influenced by
Vivaldi's superb sense of musical development. During his years in Weimar, Bach
was able to become acquainted with the works of "modern" Italian
composers in the Duke of Weimar's library—the motoric rhythms and wonderful
forward drive of the fast movements in Bach are a direct result of Vivaldi's
influence. Nevertheless, the Suite in B Minor heard this evening reflects more
the traditions of the French court—the work begins with a magnificent ouverture
(a composition with a stately section to begin, followed by a quick section in
fugal style) and is followed by a series of court dances. This suite, however,
reflects the hybridization of styles in which Bach excelled: The French dance
suite has been partially Italianized by the use of the concerto principle (solo
flute) and the quick section of the ouverture is much more Italian in its
orientation than French, as is the final movement, labelled
"badinerie," or a jest. David Schrader
Classical Music | Ensemble Music
Johann Sebastian Bach
Orchestral Suite No. 2 in b minor Play
Recorded on 06/05/2008, uploaded on 10/10/2010
Musician's or Publisher's Notes
Orchestral Suite No. 2 in b minor, BWV 1067 Johann Sebastian Bach
Ouverture, Rondeau, Sarabande, Bourrée I Bourrée II, Popnoaise, Double, BadinerieJohann Sebastian Bach was deeply influenced by Vivaldi's superb sense of musical development. During his years in Weimar, Bach was able to become acquainted with the works of "modern" Italian composers in the Duke of Weimar's library—the motoric rhythms and wonderful forward drive of the fast movements in Bach are a direct result of Vivaldi's influence. Nevertheless, the Suite in B Minor heard this evening reflects more the traditions of the French court—the work begins with a magnificent ouverture (a composition with a stately section to begin, followed by a quick section in fugal style) and is followed by a series of court dances. This suite, however, reflects the hybridization of styles in which Bach excelled: The French dance suite has been partially Italianized by the use of the concerto principle (solo flute) and the quick section of the ouverture is much more Italian in its orientation than French, as is the final movement, labelled "badinerie," or a jest. David Schrader
More music by Johann Sebastian Bach
Merke, mein Herze
Italian concerto, BWV 971
Allemande from French Suite n.5
Sarabande from French Suite n.5
Wachet auf, ruft uns die Stimme, BWV 645 from Cantata BWV 140
Sheep May Safely Graze
Sonata in E Major, BWV 1035
Nun komm’ der Heiden Heiland, BWV 659
Prelude and Fugue in e minor, Well-Tempered Clavier, Book II
English Suite No. 2 in a minor, BWV 807
Performances by same musician(s)
Harpsichord Concerto in d minor
Passacaglia
Sinfonia a cinque in g minor
Cello Sonata in B-flat Major
Trio Sonata in d minor "La follia" Op. 1 No. 12
Suite from Les Indes Galantes
Suite from Abdelazer
Aria Sopra "La Bergamesca"
Concerto a cinque, Op. 2 No. 4
Concerto Grosso in a minor
Classical Music for the Internet Era™