More music by Johann Sebastian Bach
Johann Sebastian Bach
Jesu, Joy of Man’s Desiring (from Cantata No. 147)
Jesu, Joy of Man’s Desiring (from Cantata No. 147)
Johann Sebastian Bach
Chorale Prelude Nun komm der Heiden Heiland, arr. Busoni
Chorale Prelude Nun komm der Heiden Heiland, arr. Busoni
Johann Sebastian Bach
Jesu, Joy of Man’s Desiring (from Cantata No. 147)
Jesu, Joy of Man’s Desiring (from Cantata No. 147)
Johann Sebastian Bach
Adagio from Organ Concerto, BWV 593 (after Concerto Op. 3 No. 6 of Vivaldi)
Adagio from Organ Concerto, BWV 593 (after Concerto Op. 3 No. 6 of Vivaldi)
Johann Sebastian Bach
Chorale Prelude: Ich Ruf Zu Dir, Herr Jesu Christ, BWV 639
Chorale Prelude: Ich Ruf Zu Dir, Herr Jesu Christ, BWV 639
Johann Sebastian Bach
Nun komm’ der Heiden Heiland, BWV 659
Nun komm’ der Heiden Heiland, BWV 659
Johann Sebastian Bach
Sonata No. 1 in G Minor, BWV 1001
Sonata No. 1 in G Minor, BWV 1001
Johann Sebastian Bach
Toccata and Fugue in d minor, BWV 565
Toccata and Fugue in d minor, BWV 565
Johann Sebastian Bach
"God's time is the best of times," arr. György and Márta Kurtág
"God's time is the best of times," arr. György and Márta Kurtág
Johann Sebastian Bach
Sheep May Safely Graze
Sheep May Safely Graze
Performances by same musician(s)
David Baker
Cello Concerto
Cello Concerto
Sergei Rachmaninov
Sonata for Cello and Piano in g minor, Op.19
Sonata for Cello and Piano in g minor, Op.19
Robert Schumann
Adagio and Allegro, Op. 70
Adagio and Allegro, Op. 70
Ludwig van Beethoven
Sonata in D Major, Op. 102, No. 2 for Piano and Cello
Sonata in D Major, Op. 102, No. 2 for Piano and Cello

Classical Music | Cello Music
Johann Sebastian Bach
Sonata No. 3 in G minor for viola da gamba and harpsichord, BWV 1029 Play
Recorded on 11/24/2004, uploaded on 02/27/2009
Musician's or Publisher's Notes
Sonata for Gamba and Harpsichord BWV 1029 in b minor Johann Sebastian Bach
Bach arrived at the Court of Kothen in 1717, at the age of thirty-two. He had been appointed Kapellmeister to Prince Leopold of Anhalt-Cothen, an enlightened ruler who was also fond of music, and this undoubtedly was one of the happiest periods in the composer's life. This appointment did not require any religious music, leaving him to create instrumental works such as the Brandenburg Concertos and the first book of the Well-Tempered Clavier. From this same period come the sonatas for "bass viol" or gamba, written for Prince Leopold, himself a gamba player. This is the only collection Bach wrote for an instrument already going out of fashion; as the Italian violoncello began to gain in popularity, only a handful of French musicians were still writing for the gamba. The Sonata in g minor recalls the Brandenburg Concertos in its style, not only by virtue of its tripartite structure, but also in its concertante style of writing. It is an astonishingly polyphonic masterwork, and possesses a remarkable contrapuntal structure. Katinka Kleijn
Courtesy of International Music Foundation.