Musician's or Publisher's Notes
Johann Sebastian Bach's Toccata No. 2 in c-minor was likely composed between 1709 and 1711, certainly no later than 1714 making it among Bach's earliest works. This work uses the North German-style
of toccata of Buxtehude, with alternations between improvisatory and fugal
sections, as its model, which differs greatly from the Prelude/Toccata and
Fugue combinations that dominate Bach's later well-known organ repertoire. This manualiter (hands-only) toccata is a
continuous stream of music; the opening fantasy blends into the adagio and then into the fugue.
The head of Bach's rather conventional fugue subject is based on a nearly
unadorned broken triad. After several minutes Bach interrupts the fugue with a brief fantasia-like passage reminiscent of the opening, and then resumes the fugue, in the original key, with few changes from the first section. The piece ends with a slow section
followed by a rapid finale, both in a free-composed form, to round out the
composition. Tomo Matsuo
Classical Music | Piano Music
Johann Sebastian Bach
Toccata in c minor, BWV 911 Play
Recorded on 01/28/2011, uploaded on 01/28/2011
Musician's or Publisher's Notes
Johann Sebastian Bach's Toccata No. 2 in c-minor was likely composed between 1709 and 1711, certainly no later than 1714 making it among Bach's earliest works. This work uses the North German-style of toccata of Buxtehude, with alternations between improvisatory and fugal sections, as its model, which differs greatly from the Prelude/Toccata and Fugue combinations that dominate Bach's later well-known organ repertoire. This manualiter (hands-only) toccata is a continuous stream of music; the opening fantasy blends into the adagio and then into the fugue.
The head of Bach's rather conventional fugue subject is based on a nearly unadorned broken triad. After several minutes Bach interrupts the fugue with a brief fantasia-like passage reminiscent of the opening, and then resumes the fugue, in the original key, with few changes from the first section. The piece ends with a slow section followed by a rapid finale, both in a free-composed form, to round out the composition. Tomo Matsuo
More music by Johann Sebastian Bach
Merke, mein Herze
Italian concerto, BWV 971
Allemande from French Suite n.5
Sarabande from French Suite n.5
Wachet auf, ruft uns die Stimme, BWV 645 from Cantata BWV 140
Sheep May Safely Graze
Sonata in E Major, BWV 1035
Nun komm’ der Heiden Heiland, BWV 659
Prelude and Fugue in e minor, Well-Tempered Clavier, Book II
English Suite No. 2 in a minor, BWV 807
Performances by same musician(s)
Sonata in B-flat Major, D. 960, Op. post.
Sonata no. 23 in f minor, Op. 75, "Appassionata"
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