Sonata for Gamba and Harpsichord BWV 1029 in b minor Johann Sebastian Bach
Bach
arrived at the Court of Kothen in 1717, at the age of thirty-two. He had been
appointed Kapellmeister to Prince Leopold of Anhalt-Cothen, an enlightened
ruler who was also fond of music, and this undoubtedly was one of the happiest
periods in the composer's life. This
appointment did not require any religious music, leaving him to create
instrumental works such as the Brandenburg Concertos and the first book of the Well-Tempered Clavier. From this same
period come the sonatas for "bass viol" or gamba, written for Prince Leopold,
himself a gamba player. This is the only collection Bach wrote for an instrument
already going out of fashion; as the Italian violoncello began to gain in
popularity, only a handful of French musicians were still writing for the gamba.
The Sonata in g minor recalls the Brandenburg Concertos in its style, not only
by virtue of its tripartite structure, but also in its concertante style of writing. It is an astonishingly polyphonic
masterwork, and possesses a remarkable contrapuntal structure. Katinka Kleijn
Classical Music | Cello Music
Johann Sebastian Bach
Sonata No. 3 in G minor for viola da gamba and harpsichord, BWV 1029 Play
Recorded on 11/24/2004, uploaded on 02/27/2009
Musician's or Publisher's Notes
Sonata for Gamba and Harpsichord BWV 1029 in b minor Johann Sebastian Bach
Bach arrived at the Court of Kothen in 1717, at the age of thirty-two. He had been appointed Kapellmeister to Prince Leopold of Anhalt-Cothen, an enlightened ruler who was also fond of music, and this undoubtedly was one of the happiest periods in the composer's life. This appointment did not require any religious music, leaving him to create instrumental works such as the Brandenburg Concertos and the first book of the Well-Tempered Clavier. From this same period come the sonatas for "bass viol" or gamba, written for Prince Leopold, himself a gamba player. This is the only collection Bach wrote for an instrument already going out of fashion; as the Italian violoncello began to gain in popularity, only a handful of French musicians were still writing for the gamba. The Sonata in g minor recalls the Brandenburg Concertos in its style, not only by virtue of its tripartite structure, but also in its concertante style of writing. It is an astonishingly polyphonic masterwork, and possesses a remarkable contrapuntal structure. Katinka Kleijn
More music by Johann Sebastian Bach
Allemande from French Suite n.5
Sheep May Safely Graze
Sarabande from French Suite n.5
Wachet auf, ruft uns die Stimme, BWV 645 from Cantata BWV 140
Sonata in E Major, BWV 1035
Nun komm’ der Heiden Heiland, BWV 659
English Suite No. 2 in a minor, BWV 807
Concerto in d minor BWV 1052 (2)
Prelude and Fugue in e minor, Well-Tempered Clavier, Book II
Prelude and Fugue in E Major from Well-Tempered Clavier Book II
Performances by same musician(s)
Sonata in D Major, Op. 102, No. 2 for Piano and Cello
Cello Concerto
Sonata for Cello and Piano in g minor, Op.19
Adagio and Allegro, Op. 70
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