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In the vain of Charles Ives, a bit less dissonant, but certainly in the same vain.
Submitted by wwjdwithca on Tue, 03/23/2010 - 11:29.
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Ugh
Submitted by nschott on Sat, 08/14/2010 - 09:04.
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Classical Music | Orchestral Music
Gary Noland
"Septet" for clarinet, alto sax, French horn, two violins, double bass, and piano (Op. 43) Play
Recorded on 07/20/2002, uploaded on 06/28/2009
Musician's or Publisher's Notes
This work was commissioned jointly by the Oregon Music Teachers Association and Music Teachers National Association in 1999.
More music by Gary Noland
"The Mad Ventures of Marginman" (Op. 72, No. 16) from "24 Postludes" for piano
"Honesty's the Best Fallacy" (Op. 72, No. 14) from "24 Postludes" for piano
Liebesschmerz Fuge for piano (Op. 95)
"Russell Street Rag" for piano (Op. 5)
"Boykh Vaitek" (Op. 72, No. 20) from "24 Postludes" for piano
"Festmusik: Fanfaronades, Parades, and Escapades" for brass octet & tympani (Op. 77)
"Gillygalay" (Op. 71, No. 2) from "24 Postludes" for piano
"Bead-Eyed Bellygods" (Op. 72, No. 13) from "24 Postludes" for piano
"Misremembrances: in memoriam George Rochberg" (Op. 72, No. 23) from "24 Postludes" for piano
"Prelude in E Minor" for harpsichord (Op. 34)
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