Listeners' Comments
(You have to be logged in to leave comments)
It seems that we have many ideas in common. I like the classical style very much and will continue to compose in this style too.
The opinion that all classical music has been written in the past I mus reject. Because there is still a universe of uncomposed pieces that you help to discover. As the director of our academy in Germany said. Mr. Sörup , you are just ahead of contempory music. Just keep on your way an they will follow you.
Submitted by chromatic on Tue, 11/24/2009 - 19:53.
Report abuse
Classical Music | Piano Music
Gary Noland
"Le Charmeuse" (Op. 72, No. 21) from "24 Postludes" for piano Play
Recorded on 03/10/2006, uploaded on 07/09/2009
Musician's or Publisher's Notes
The "24 Postludes" for piano (Op. 72) were composed in 2003 and 2004. "Le Charmeuse" is Postlude #21.
More music by Gary Noland
"Misremembrances: in memoriam George Rochberg" (Op. 72, No. 23) from "24 Postludes" for piano
Liebesschmerz Fuge for piano (Op. 95)
"Septet" for clarinet, alto sax, French horn, two violins, double bass, and piano (Op. 43)
"Russell Street Rag" for piano (Op. 5)
"The Mad Ventures of Marginman" (Op. 72, No. 16) from "24 Postludes" for piano
"Honesty's the Best Fallacy" (Op. 72, No. 14) from "24 Postludes" for piano
"Deformed Fugue" for harpsichord (Op. 17)
"Boykh Vaitek" (Op. 72, No. 20) from "24 Postludes" for piano
"Gillygalay" (Op. 71, No. 2) from "24 Postludes" for piano
"Festmusik: Fanfaronades, Parades, and Escapades" for brass octet & tympani (Op. 77)
Performances by same musician(s)
"The Mad Ventures of Marginman" (Op. 72, No. 16) from "24 Postludes" for piano
"Honesty's the Best Fallacy" (Op. 72, No. 14) from "24 Postludes" for piano
"Misremembrances: in memoriam George Rochberg" (Op. 72, No. 23) from "24 Postludes" for piano
Liebesschmerz Fuge for piano (Op. 95)
"Deformed Fugue" for harpsichord (Op. 17)
"Boykh Vaitek" (Op. 72, No. 20) from "24 Postludes" for piano
"Gillygalay" (Op. 71, No. 2) from "24 Postludes" for piano
"Festmusik: Fanfaronades, Parades, and Escapades" for brass octet & tympani (Op. 77)
"It Takes Three …" (Op. 71, No. 8) from "24 Interludes" for piano
"Bead-Eyed Bellygods" (Op. 72, No. 13) from "24 Postludes" for piano
Classical Music for the Internet Era™