I composed "Festmusik: Fanfaronades, Parades, and Escapades" for brass octet and tympani (Op. 77) in the summer of 2005. It was written with the intention that it be performed for any kind of festive occasion—graduations, weddings, troop withdrawals, etc.
Classical Music | Ensemble Music
Gary Noland
"Festmusik: Fanfaronades, Parades, and Escapades" for brass octet & tympani (Op. 77) Play
Recorded on 12/03/2009, uploaded on 12/03/2009
Musician's or Publisher's Notes
I composed "Festmusik: Fanfaronades, Parades, and Escapades" for brass octet and tympani (Op. 77) in the summer of 2005. It was written with the intention that it be performed for any kind of festive occasion—graduations, weddings, troop withdrawals, etc.
More music by Gary Noland
"Le Charmeuse" (Op. 72, No. 21) from "24 Postludes" for piano
"The Mad Ventures of Marginman" (Op. 72, No. 16) from "24 Postludes" for piano
"Honesty's the Best Fallacy" (Op. 72, No. 14) from "24 Postludes" for piano
Liebesschmerz Fuge for piano (Op. 95)
"Septet" for clarinet, alto sax, French horn, two violins, double bass, and piano (Op. 43)
"Russell Street Rag" for piano (Op. 5)
"Boykh Vaitek" (Op. 72, No. 20) from "24 Postludes" for piano
"Gillygalay" (Op. 71, No. 2) from "24 Postludes" for piano
"Bead-Eyed Bellygods" (Op. 72, No. 13) from "24 Postludes" for piano
"Misremembrances: in memoriam George Rochberg" (Op. 72, No. 23) from "24 Postludes" for piano
Performances by same musician(s)
Liebesschmerz Fuge for piano (Op. 95)
"Le Charmeuse" (Op. 72, No. 21) from "24 Postludes" for piano
"The Mad Ventures of Marginman" (Op. 72, No. 16) from "24 Postludes" for piano
"Honesty's the Best Fallacy" (Op. 72, No. 14) from "24 Postludes" for piano
"Boykh Vaitek" (Op. 72, No. 20) from "24 Postludes" for piano
"Gillygalay" (Op. 71, No. 2) from "24 Postludes" for piano
"Dreadmill" for clarinet (or viola) & double bass (Op. 37)—keyboard rendition
"Espresso Wagon" from "24 Interludes" for piano (Op. 71)
Sevenupmanship
"It Takes Three …" (Op. 71, No. 8) from "24 Interludes" for piano
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