Flute
Quartet No. 1 in D Major Wolfgang Amadeus Mozart
Allegro; Adagio-Rondeau
Mozart completed his Quartet for Flute
and Strings in D Major, K. 285 in 1777 for wealthy amateur musician Ferdinand
De Jean. The piece was commissioned as part of a series of works which was to
contain six quartets and four concertos. Mozart's frustration with his wealthy
patron was evident in his letter to his father dated February 14, 1778, in
which he writes: "[Y]ou know that I become quite
powerless whenever I am obliged to write for an instrument I cannot bear." This
comment sparked much discussion over Mozart's supposed dislike for the flute,
but it is likely that the composer was reacting more to his distaste for De
Jean himself, and to the "short and simple" compositions he requested.
Nonetheless, this first
and most substantial of the flute quartets is a light-spirited work that
contains beautiful idiomatic writing for the instrument. The first movement
showcases Mozart's gift for dialogue and color in traditional sonata-allegro
form. The second movement, described by musicologist Alfred Einstein as
"suffused with the sweetest melancholy," goes directly into a sprightly third
movement rondo. The light, airy texture of this piece has inspired Fifth House
to program it in intimate settings, including Isabella Café and Julius Meinl
Café. Fifth House Ensemble
Classical Music | Ensemble Music
Wolfgang Amadeus Mozart
Flute Quartet No. 1 in D Major Play
Recorded on 04/15/2008, uploaded on 01/09/2009
Musician's or Publisher's Notes
Flute Quartet No. 1 in D Major Wolfgang Amadeus Mozart
Allegro; Adagio-Rondeau
Mozart completed his Quartet for Flute and Strings in D Major, K. 285 in 1777 for wealthy amateur musician Ferdinand De Jean. The piece was commissioned as part of a series of works which was to contain six quartets and four concertos. Mozart's frustration with his wealthy patron was evident in his letter to his father dated February 14, 1778, in which he writes: "[Y]ou know that I become quite powerless whenever I am obliged to write for an instrument I cannot bear." This comment sparked much discussion over Mozart's supposed dislike for the flute, but it is likely that the composer was reacting more to his distaste for De Jean himself, and to the "short and simple" compositions he requested.
Nonetheless, this first and most substantial of the flute quartets is a light-spirited work that contains beautiful idiomatic writing for the instrument. The first movement showcases Mozart's gift for dialogue and color in traditional sonata-allegro form. The second movement, described by musicologist Alfred Einstein as "suffused with the sweetest melancholy," goes directly into a sprightly third movement rondo. The light, airy texture of this piece has inspired Fifth House to program it in intimate settings, including Isabella Café and Julius Meinl Café. Fifth House Ensemble
More music by Wolfgang Amadeus Mozart
Aria L'amero sarò constante from Il re pastore, K 208
Sonata in D Major
Piano Concerto no.13 in C Major, K. 415
12 Variations in C Major on “Ah, vous dirai-je Maman” K. 265
Concerto No.21 Do major 2nd moviment
Concerto No.21 Do major 3rd moviment
Piano Sonata No.12 in F major K. 332
Concerto No.21 Do major 1st moviment
12 Variations in C Major on “Ah, vous dirai-je Maman” K. 265
Requiem und Kyrie K.V. 626
Performances by same musician(s)
String Quartet No. 11 in f minor, Op. 95, Serioso
Clarinet Trio, Op. 114
Trio for Piano, Oboe, and Bassoon
Trio in E-flat Major for Horn, Violin, and Piano Op. 40
Langsamer Satz
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Courtesy of International Music Foundation.