32 Variations in C Minor, WoO 80 Ludwig van Beethoven
In
addition to his thirty-two monumental piano sonatas, Beethoven wrote no fewer
than twenty-two sets of variations for solo piano. Variation sets were an
easy way to reach a mass audience; it was common for composers to use popular
themes taken from operas, ballets, or folk songs of the day and compose
light-hearted variations geared toward the amateur performer. Although
Beethoven often followed this pattern, he sometimes chose to use themes of his own
invention. The "theme" in this case is of a decidedly serious character,
consisting of not much more than an eight-bar chord progression with a
prominent descending bass line. The thirty-two variations that follow explore
various aspects of the theme and its bass line, leading to a work that feels
more like a Baroque chaconne than a set of variations. A short coda
fixates on a rhythmic aspect of the theme's seventh bar before cascading C
minor octaves lead to a surprisingly hushed conclusion. Michael Mizrahi
Classical Music | Piano Music
Ludwig van Beethoven
32 Variations in c minor, WoO 80 Play
Recorded on 03/10/2010, uploaded on 07/25/2010
Musician's or Publisher's Notes
32 Variations in C Minor, WoO 80 Ludwig van Beethoven
In addition to his thirty-two monumental piano sonatas, Beethoven wrote no fewer than twenty-two sets of variations for solo piano. Variation sets were an easy way to reach a mass audience; it was common for composers to use popular themes taken from operas, ballets, or folk songs of the day and compose light-hearted variations geared toward the amateur performer. Although Beethoven often followed this pattern, he sometimes chose to use themes of his own invention. The "theme" in this case is of a decidedly serious character, consisting of not much more than an eight-bar chord progression with a prominent descending bass line. The thirty-two variations that follow explore various aspects of the theme and its bass line, leading to a work that feels more like a Baroque chaconne than a set of variations. A short coda fixates on a rhythmic aspect of the theme's seventh bar before cascading C minor octaves lead to a surprisingly hushed conclusion. Michael Mizrahi
More music by Ludwig van Beethoven
Alegretto, from Piano Trio in B-flat Major, WoO 39
Piano Sonata No. 4, in E-flat Major, Op. 7
Sonata No. 13 Op. 27, No. 1 in E-flat Major, "Quasi una Fantasia"
Concerto for Piano and Orchestra No. 4, Op. 58 (Rondo Vivace)
Sonata No. 32 in c minor, Op. 111
Piano Trio No. 4 in B flat major, Op. 11 for clarinet, cello & piano
Symphony No. 5 in c minor, Op.67 (Allegro)
Piano Sonata No. 31 in A flat Major, Op. 110
Piano Sonata in f minor Op. 2 No. 1, First Movement
Sonata No. 21 in C major, Op.53, "Waldstein"
Performances by same musician(s)
Tango for Viola and Piano
First Ballade
Five pieces from the ballet Romeo and Juliet for viola and piano
Piano Sonata No. 21 in C Major
Marchenbilder for viola and piano, Op. 113
Sonata for violin and piano in A Major (transcribed for viola)
Jamaican Rumba
Pagodes, from Estampes
La Soirée dans Grenade (Evening in Grenada), from Estampes
Jardins sous la pluie (Gardens in the rain), from Estampes
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