Sonata in F Major,
K533/494 Wolfgang Amadeus Mozart
Allegro; Andante;
Rondo: Allegretto
The sonata in F major - oddly
labeled K. 533/494 - was written in two parts. The Rondo was composed as a
stand-alone piece around 1786. The Allegro and Andante were written in 1787 and
were subsequently joined with the Rondo at the request of Mozart's publisher.
For this reason, the authoritative Köchel-Verzeichnis uses two different
catalog numbers to identify this work.
Although this sonata was
completed by a relatively young composer (age 32), the piece is actually a late
work for Mozart and offers an especially advanced treatment of the traditional
sonata architecture.
The first movement
begins with a monophonic statement of the first theme which is more reminiscent
of a fugue subject than a formal opening for a sonata. Throughout the movement, there is a
considerable contrapuntal interplay which separates this work from most of its
forbearers. Substantial chromaticism and unexpected tonal excursions mask the
underlying sonata-form structure, putting this sonata in a category of special
beauty.
The second and third
movements are equally unusual. The second is exceptionally emotional and, on
the surface, has a fantasy-like quality. The third is anything but the typical,
jovial and driving Rondo. Like the first
movement, it has its moments of contrapuntal interplay and struggle between major
and minor modalities. Unlike the previous two movements, the concluding
measures contain unusually low notes. Notesby George F. Litterst
Classical Music | Piano Music
Wolfgang Amadeus Mozart
Sonata in F Major, K 533/494 Play
Recorded on 01/22/2008, uploaded on 01/27/2009
Musician's or Publisher's Notes
Sonata in F Major, K533/494 Wolfgang Amadeus Mozart
Allegro; Andante; Rondo: Allegretto
The sonata in F major - oddly labeled K. 533/494 - was written in two parts. The Rondo was composed as a stand-alone piece around 1786. The Allegro and Andante were written in 1787 and were subsequently joined with the Rondo at the request of Mozart's publisher. For this reason, the authoritative Köchel-Verzeichnis uses two different catalog numbers to identify this work.
Although this sonata was completed by a relatively young composer (age 32), the piece is actually a late work for Mozart and offers an especially advanced treatment of the traditional sonata architecture.
The first movement begins with a monophonic statement of the first theme which is more reminiscent of a fugue subject than a formal opening for a sonata. Throughout the movement, there is a considerable contrapuntal interplay which separates this work from most of its forbearers. Substantial chromaticism and unexpected tonal excursions mask the underlying sonata-form structure, putting this sonata in a category of special beauty.
The second and third movements are equally unusual. The second is exceptionally emotional and, on the surface, has a fantasy-like quality. The third is anything but the typical, jovial and driving Rondo. Like the first movement, it has its moments of contrapuntal interplay and struggle between major and minor modalities. Unlike the previous two movements, the concluding measures contain unusually low notes. Notes by George F. Litterst
More music by Wolfgang Amadeus Mozart
Aria L'amero sarò constante from Il re pastore, K 208
Sonata in D Major
Piano Concerto no.13 in C Major, K. 415
12 Variations in C Major on “Ah, vous dirai-je Maman” K. 265
Concerto No.21 Do major 2nd moviment
Concerto No.21 Do major 3rd moviment
Piano Sonata No.12 in F major K. 332
Concerto No.21 Do major 1st moviment
12 Variations in C Major on “Ah, vous dirai-je Maman” K. 265
Sonata in C Major, K. 330
Performances by same musician(s)
Sonata No. 7 in F-flat Major, Op. 83
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