Une barque sure l'océan, from Miroirs Maurice Ravel
Miroirs is Maurice Ravel's
first great large scale suite for piano, written in 1905 and premiered in Paris by Ricardo Viñes in 1906. Although Ravel hated the term "Impressionist"-as
did Debussy-Miroirs is a model of the impressionist style, including
ethereal harmonies and evocative titles which leave much to the
imagination. The composer said that the
suite "forms a collection of pieces for the piano which mark a considerable
change in my harmonic evolution."
Indeed, audiences had trouble following some of the movements at first,
but it has since become a staple of the piano repertoire.
I have chosen three movements to perform today: Noctuelles (Night Moths) contains
skittering figurations throughout which almost give the impression of a
continuous cadenza. These are contrasted
in the middle section by lyrical repose, but never quite leave the texture completely. Une barque sur l'océan (A Boat on the
Ocean) is in my opinion the most breathtaking of the cycle. It is a masterful wash of arpeggios and
harmonic progressions building to a graduated climax, and painting a clear
picture of a boat at sea. Alborada del gracioso (Morning
Song of the Jester) was certainly written with Ricardo Viñes' well-known
virtuosity in mind, as Ravel employs fiendishly difficult techniques (such as
repeated notes and double-note glissandi) in the outer sections. These are contrasted by a middle section that
employs the chanting techniques of the Spanish cante-hondo.
Classical Music | Piano Music
Maurice Ravel
Une barque sure l'océan, from Miroirs Play
Recorded on 08/22/2006, uploaded on 01/15/2009
Musician's or Publisher's Notes
Une barque sure l'océan, from Miroirs Maurice Ravel
Miroirs is Maurice Ravel's first great large scale suite for piano, written in 1905 and premiered in Paris by Ricardo Viñes in 1906. Although Ravel hated the term "Impressionist"-as did Debussy-Miroirs is a model of the impressionist style, including ethereal harmonies and evocative titles which leave much to the imagination. The composer said that the suite "forms a collection of pieces for the piano which mark a considerable change in my harmonic evolution." Indeed, audiences had trouble following some of the movements at first, but it has since become a staple of the piano repertoire.
I have chosen three movements to perform today: Noctuelles (Night Moths) contains skittering figurations throughout which almost give the impression of a continuous cadenza. These are contrasted in the middle section by lyrical repose, but never quite leave the texture completely. Une barque sur l'océan (A Boat on the Ocean) is in my opinion the most breathtaking of the cycle. It is a masterful wash of arpeggios and harmonic progressions building to a graduated climax, and painting a clear picture of a boat at sea. Alborada del gracioso (Morning Song of the Jester) was certainly written with Ricardo Viñes' well-known virtuosity in mind, as Ravel employs fiendishly difficult techniques (such as repeated notes and double-note glissandi) in the outer sections. These are contrasted by a middle section that employs the chanting techniques of the Spanish cante-hondo.
Spencer Myer
More music by Maurice Ravel
Gaspard de la Nuit - Ondine
Gaspard de la Nuit - Le Gibet
Alborada del Gracioso, from Miroirs
Gaspard de la Nuit - Scarbo
Rhapsodie espagnole
Blues, from Sonata for violin and piano
Berceuse sur le nom de Gabriel Faure
Noctuelles from Miroirs
Une barque sur l'ocean, from Mirours
Pièce en Forme de Habanera
Performances by same musician(s)
Sonata in D Major, Op. 102, No. 2 for Piano and Cello
Dance of the Blessed Spirits, from Orfeo ed Euridice
Variations in f minor, Hob. XVII: 6
Alborada del Gracioso, from Miroirs
Polonaise-Fantaisie, Op. 61
Sonata No. 3 in G minor for viola da gamba and harpsichord, BWV 1029
Noctuelle, from Miroirs
Sonata No. 17 in d minor, Op. 31 No. 2, "Tempest"
Sonata for Cello and Piano in g minor, Op.19
Die Beiden Grenadiere, Op. 49, No. 1
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