Musician's or Publisher's Notes In 1905, Maurice Ravel, near the exact
midpoint of his life, wrote Miroirs. In that music, he looked back to
youthful and lasting piano successes, but looked ahead to the brilliant
Impressionist works that make his music riveting. Miroirs preceded
any of Debussy's epochal piano works, and claim attention for Ravel as pioneer,
innovator and even magician. He wrote at the time that these pieces "…mark a
rather considerable change in my harmonic evolution." He could also have
mentioned the new complexity of his rhythms and the extraordinary subtlety of
the virtuosic music he had written.
Looking forward and backward is an image apt for Ravel. Miroirs is
a classical piece, a gloss on the austerity of the 18th century, yet its
expanded tonality colors the music with exotic shades, and the virtuosity it
demands sharply limits the number of pianists able to explore it. In other
works, he found inspiration in older music, yet he was early identified as a
flaming modernist.
The five sections of Miroirs describe imagined scenes. In the third,
Une barque sur l'océan ("A boat on the Ocean"), Ravel imagines a boat coursing through waves, quiet places and abrupt dramatic
bits. The bass murmurs about deep currents in the sea. This piece is dedicated to
Classical Music | Piano Music
Maurice Ravel
Une barque sur l'océan, from Miroirs Play
Recorded on 12/29/2010, uploaded on 05/28/2011
Musician's or Publisher's Notes
In 1905, Maurice Ravel, near the exact midpoint of his life, wrote Miroirs. In that music, he looked back to youthful and lasting piano successes, but looked ahead to the brilliant Impressionist works that make his music riveting. Miroirs preceded any of Debussy's epochal piano works, and claim attention for Ravel as pioneer, innovator and even magician. He wrote at the time that these pieces "…mark a rather considerable change in my harmonic evolution." He could also have mentioned the new complexity of his rhythms and the extraordinary subtlety of the virtuosic music he had written.
Looking forward and backward is an image apt for Ravel. Miroirs is a classical piece, a gloss on the austerity of the 18th century, yet its expanded tonality colors the music with exotic shades, and the virtuosity it demands sharply limits the number of pianists able to explore it. In other works, he found inspiration in older music, yet he was early identified as a flaming modernist.
The five sections of Miroirs describe imagined scenes. In the third, Une barque sur l'océan ("A boat on the Ocean"), Ravel imagines a boat coursing through waves, quiet places and abrupt dramatic bits. The bass murmurs about deep currents in the sea. This piece is dedicated to
More music by Maurice Ravel
Une barque sur l'ocean, from Mirours
Pièce en Forme de Habanera
Chanson romanesque, from Don Quichotte à Dulcinée
À la manière de Chabrier
Cinq Mélodies Populaires Grecques
Gaspard de la Nuit - Ondine
Gaspard de la Nuit - Le Gibet
Gaspard de la Nuit - Scarbo
Alborada del Gracioso, from Miroirs
Blues, from Sonata for violin and piano
Performances by same musician(s)
Miroirs
Oiseaux tristes, from Miroirs
Alborada del Gracioso, from Miroirs
La vallée des cloches, from Miroirs
Waltz on Themes of Gounod's "Faust"
Noctuelle, from Miroirs
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