Musician's or Publisher's Notes So lasst mich scheinen ("So let me seem") is one of three poems set by
Schubert from Goethe's novel Wilhelm Meisters Lehrjahre ("Wilhelm
Meister's Apprenticeship"). First set in April 1821, Schubert revisited the poem
in January 1826, recasting its musical setting and later publishing it with two
other of Goethe's poems as part of his 4 Gesänge aus 'Wilhelm Meister',
op. 62. The poem is Mignon's response to seeing her transfigured body prior to
her impending death. Schubert's strophic setting begins with a piano
introduction in the key of B major. The peacefulness of the opening
chorale-like melody immediately invokes Mignon's heavenly vision. During the
second verse (and also again in the fourth), a unison passage between the voice
and piano "transfigures" the B major tonality into a brilliant D major.
However, as soon the image appears, it disappears, first into a dark D minor
and then B minor before regaining the major tonic tonality. Joseph DuBose
So lasst mich scheinen
So let me seem, until I become so; don't take the white dress away from me! From the beautiful earth I hasten down into that solid house.
There I will repose a moment in peace, until I open my eyes afresh;then I will leave behind the spotless garment, the girdle and the wreath.
And those spirits of heaven do not ask whether one is 'man' or 'woman',
and no clothes, no robes
will cover my transfigured body.
Although I have lived without trouble and toil, I still have felt deep pain.
Classical Music | Soprano
Franz Schubert
So lasst mich scheinen, from Mignon Lieder, D. 877 Play
Recorded on 10/06/2010, uploaded on 02/28/2011
Musician's or Publisher's Notes
So lasst mich scheinen ("So let me seem") is one of three poems set by Schubert from Goethe's novel Wilhelm Meisters Lehrjahre ("Wilhelm Meister's Apprenticeship"). First set in April 1821, Schubert revisited the poem in January 1826, recasting its musical setting and later publishing it with two other of Goethe's poems as part of his 4 Gesänge aus 'Wilhelm Meister', op. 62. The poem is Mignon's response to seeing her transfigured body prior to her impending death. Schubert's strophic setting begins with a piano introduction in the key of B major. The peacefulness of the opening chorale-like melody immediately invokes Mignon's heavenly vision. During the second verse (and also again in the fourth), a unison passage between the voice and piano "transfigures" the B major tonality into a brilliant D major. However, as soon the image appears, it disappears, first into a dark D minor and then B minor before regaining the major tonic tonality. Joseph DuBose
So lasst mich scheinen
So let me seem, until I become so;
don't take the white dress away from me!
From the beautiful earth I hasten
down into that solid house.
There I will repose a moment in peace,
until I open my eyes afresh;then I will leave behind the spotless garment,
the girdle and the wreath.
do not ask whether one is 'man' or 'woman',
Although I have lived without trouble and toil,
I still have felt deep pain.
More music by Franz Schubert
Sonata in B-flat Major, D. 960, Op. post.
Moment musicale in F minor Op.94 No.3
Sonata in B-flat Major, Op. 30, D617
Introduction and Variations on a theme from Müllerlieder op. 25, Op. 160
Güte Nacht, Lieder for Flute and Piano
Frühlingsglaube (arr. Liszt)
Notturno
Erlkönig (arr. Liszt)
Rondo in A Major D438 for violin and string orchestra
Ave Maria
Performances by same musician(s)
Nature, the Gentlest Mother, from Twelve Poems of Emily Dickinson
Heart, We Will Forget Him, from Twelve Poems of Emily Dickinson
Going to Heaven!, from Twelve Poems of Emily Dickinson
Why Do They Shut Me Out of Heaven? from Twelve Poems of Emily Dickinson
Heiss mich nicht reden no. 2, from Mignon Lieder, D. 877
Nur wer die Sehnsucht kennt, from Mignon Lieder, D. 877
Nell
Le colibri
Les papillons
Nuit d'étoiles
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