Sonata No.2 in D Major, Op.94
bis Sergei
Prokofiev
Moderato; Scherzo:
Presto; Andante; Allegro con Brio
This wonderful work started its life as a
sonata for flute and piano. When Prokofiev began composing it in 1942, it
made a cheerful and welcome respite from feverish hours spent on his opera
based on War and Peace. Commissioned by the Committee on Artistic
Affairs, Prokofiev said the new Sonata was intended "to sound in bright
and transparent Classical tones," presumably the same tones that inhabited
his very accessible and popular "Classical" Symphony, also in D Major,
and his first Violin Concerto.
The Sonata's themes are simple and
engaging, its rhythms uncomplicated, its emotions direct and resolutely
optimistic. Only in the final Rondo does the aggressive tone of
Prokofiev's other wartime works raise its martial head.
As soon as the D Major Sonata had been
played for the first time-by flutist Nicolai Kharkovsky and pianist Sviatoslav
Richter on December 7, 1943 in Moscow-violinists recognized its possibilities
for their instrument, and David Oistrakh, the Russian violinist and
conductor, suggested to the composer that it would "enjoy a more
full-blooded life on the stage" if arranged for violin and piano.
Prokofiev made such a version without delay, and Oistrakh, as well as nearly
every other leading violinist in the world, programmed it frequently.
The Hungarian virtuoso Joseph Szigeti
played its American premiere in Boston in 1944 from a manuscript smuggled out
of the Soviet
Union.
Classical Music | Violin Music
Sergei Prokofiev
Sonata No. 2 in D Major, Op. 94 bis Play
Recorded on 10/03/2006, uploaded on 01/17/2009
Musician's or Publisher's Notes
Sonata No.2 in D Major, Op.94 bis Sergei Prokofiev
Moderato; Scherzo: Presto; Andante; Allegro con Brio
This wonderful work started its life as a sonata for flute and piano. When Prokofiev began composing it in 1942, it made a cheerful and welcome respite from feverish hours spent on his opera based on War and Peace. Commissioned by the Committee on Artistic Affairs, Prokofiev said the new Sonata was intended "to sound in bright and transparent Classical tones," presumably the same tones that inhabited his very accessible and popular "Classical" Symphony, also in D Major, and his first Violin Concerto.
The Sonata's themes are simple and engaging, its rhythms uncomplicated, its emotions direct and resolutely optimistic. Only in the final Rondo does the aggressive tone of Prokofiev's other wartime works raise its martial head.
As soon as the D Major Sonata had been played for the first time-by flutist Nicolai Kharkovsky and pianist Sviatoslav Richter on December 7, 1943 in Moscow-violinists recognized its possibilities for their instrument, and David Oistrakh, the Russian violinist and conductor, suggested to the composer that it would "enjoy a more full-blooded life on the stage" if arranged for violin and piano. Prokofiev made such a version without delay, and Oistrakh, as well as nearly every other leading violinist in the world, programmed it frequently.
The Hungarian virtuoso Joseph Szigeti played its American premiere in Boston in 1944 from a manuscript smuggled out of the Soviet Union.
- Commentary by Clair W. Van Ausdall
More music by Sergei Prokofiev
Sonata for Cello and Piano in C Major, op.119
Violin Sonata No. 1 in f minor
Five pieces from the ballet Romeo and Juliet for viola and piano
Dance of the Knights from Romeo and Juliet
Sonata No. 9 in C major, op. 103
Sonata No. 8 in B-flat Major, Op. 84
Sonata No. 7 in F-flat Major, Op. 83
"Suggestion Diabolique", Op.4, No.4
Piano Sonata No.2 in D minor op.14 3rd moviment
Piano Sonata No.2 D minor op.14 4th moviment
Performances by same musician(s)
Valse-Scherzo in C Major
Sonata No.4
Violin Concerto
Banjo and Fiddle
Violin Concerto in A minor, Op. 82
Scherzo
La Campanella, from Concerto No. 2, Op. 7
Tzigane
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