32 Variations in C Minor, WoO 80 Ludwig van Beethoven
In
addition to his thirty-two monumental piano sonatas, Beethoven wrote no fewer
than twenty-two sets of variations for solo piano. Variation sets were an
easy way to reach a mass audience; it was common for composers to use popular
themes taken from operas, ballets, or folk songs of the day and compose
light-hearted variations geared toward the amateur performer. Although
Beethoven often followed this pattern, he sometimes chose to use themes of his own
invention. The "theme" in this case is of a decidedly serious character,
consisting of not much more than an eight-bar chord progression with a
prominent descending bass line. The thirty-two variations that follow explore
various aspects of the theme and its bass line, leading to a work that feels
more like a Baroque chaconne than a set of variations. A short coda
fixates on a rhythmic aspect of the theme's seventh bar before cascading C
minor octaves lead to a surprisingly hushed conclusion. Michael Mizrahi
Classical Music | Piano Music
Ludwig van Beethoven
32 Variations in c minor, WoO 80 Play
Recorded on 03/10/2010, uploaded on 07/25/2010
Musician's or Publisher's Notes
32 Variations in C Minor, WoO 80 Ludwig van Beethoven
In addition to his thirty-two monumental piano sonatas, Beethoven wrote no fewer than twenty-two sets of variations for solo piano. Variation sets were an easy way to reach a mass audience; it was common for composers to use popular themes taken from operas, ballets, or folk songs of the day and compose light-hearted variations geared toward the amateur performer. Although Beethoven often followed this pattern, he sometimes chose to use themes of his own invention. The "theme" in this case is of a decidedly serious character, consisting of not much more than an eight-bar chord progression with a prominent descending bass line. The thirty-two variations that follow explore various aspects of the theme and its bass line, leading to a work that feels more like a Baroque chaconne than a set of variations. A short coda fixates on a rhythmic aspect of the theme's seventh bar before cascading C minor octaves lead to a surprisingly hushed conclusion. Michael Mizrahi
More music by Ludwig van Beethoven
Sonata in C Major, Op. 102, No. 1 for Piano and Cello
Piano Trio in B-flat Major, Op. 97, “Archduke”
Sonata in D Major, Op. 102, No. 2 for Piano and Cello
Concerto for Piano and Orchestra No. 4, Op. 58 (Rondo Vivace)
Sonata No. 32 in c minor, Op. 111
Sonata No. 30 in E major, Op. 109
12 Variations on a theme from Mozart's "The Magic Flute"
Trio No. 5 in D Major “Ghost” for Violin, Cello and Piano Op. 70, No. 1
Sonata No. 31 in A-flat major, Op. 110
Piano Trio, Op. 11
Performances by same musician(s)
Five pieces from the ballet Romeo and Juliet for viola and piano
Tango for Viola and Piano
First Ballade
Prelude and Fugue in A-flat Major from Well-Tempered Clavier, Book I
Marchenbilder for viola and piano, Op. 113
Ballade No. 1 in g minor, Op. 23
Piano Sonata No. 21 in C Major
Prelude and Fugue in f-sharp minor from Well-Tempered Clavier, Book I
Concertpiece
Sonata for violin and piano in A Major (transcribed for viola)
Classical Music for the Internet Era™
Courtesy of International Music Foundation.