"If one cannot afford to travel, one
substitutes the imagination." Thus wrote Claude
Debussy in 1903 about Estampes, his
newly composed set of three pieces for piano.
Given Debussy's Impressionist and Symbolist leanings and the power of
music in particular to transport the listener, it is not surprising that this
lighthearted comment would accompany these three "postcards" (a very loose
translation of the title of the piece) from disparate locations spanning the
globe.
We are
transported to the Far East and to Spain in the first two movements,
respectively, as seen through a French lens of rippling Pentatonic scales (Pagodes - Pagodas) and vibrant Habanera
rhythms (La soirée dans Grenade - Evening
in Grenada).
The final piece in the set, Jardins
sous la Pluie - Gardens in the Rain, was apparently inspired by a scene
described by the painter Jacques-Emile Blanche as he painted a portrait of the
composer one rainy afternoon: "I was in Auteuil, out of doors, and sketched an
initial study of his head. It started to
rain, and the trees gave his face a greenish tinge which the rain seemed to
cover as though with enamel." Michael Mizrahi
Classical Music | Piano Music
Claude Debussy
Pagodes, from Estampes Play
Recorded on 02/05/2008, uploaded on 01/27/2009
Musician's or Publisher's Notes
Pagodes, from Estampes Claude Debussy
"If one cannot afford to travel, one substitutes the imagination." Thus wrote Claude Debussy in 1903 about Estampes, his newly composed set of three pieces for piano. Given Debussy's Impressionist and Symbolist leanings and the power of music in particular to transport the listener, it is not surprising that this lighthearted comment would accompany these three "postcards" (a very loose translation of the title of the piece) from disparate locations spanning the globe.
We are transported to the Far East and to Spain in the first two movements, respectively, as seen through a French lens of rippling Pentatonic scales (Pagodes - Pagodas) and vibrant Habanera rhythms (La soirée dans Grenade - Evening in Grenada). The final piece in the set, Jardins sous la Pluie - Gardens in the Rain, was apparently inspired by a scene described by the painter Jacques-Emile Blanche as he painted a portrait of the composer one rainy afternoon: "I was in Auteuil, out of doors, and sketched an initial study of his head. It started to rain, and the trees gave his face a greenish tinge which the rain seemed to cover as though with enamel." Michael Mizrahi
More music by Claude Debussy
Ondine, from Préludes Book II
Bruyères, from Préludes Book 2, No. 5
Pagodes, from Estampes
General Lavine – eccentric, from Préludes Book II
Ondine, from Préludes Book II
Pour le Piano: Tocatta
Hommage à Rameau, from Images, Book 1
Sonata for Cello and Piano
La Puerta del Vino, from Préludes Book II
Poissons d’or, from Images, Book II
Performances by same musician(s)
Five pieces from the ballet Romeo and Juliet for viola and piano
32 Variations in c minor, WoO 80
Tango for Viola and Piano
First Ballade
Prelude and Fugue in A-flat Major from Well-Tempered Clavier, Book I
Marchenbilder for viola and piano, Op. 113
Ballade No. 1 in g minor, Op. 23
Piano Sonata No. 21 in C Major
Prelude and Fugue in f-sharp minor from Well-Tempered Clavier, Book I
Sonata for violin and piano in A Major (transcribed for viola)
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