Cesar
Franck is considered one of the leading figures of French musical life in the
late 19th century. This sonata (subsequently transcribed for many
instruments, including viola) is one of his most famous compositions and a
great example of his mature compositional style.
Two aspects of the sonata are notable; the cyclic
unity among several motifs in which all of the principal themes are generated
from a germinal motif, and the advanced use of modulation for which Franck was
well known.
The first movement begins with a poetic Allegretto
moderato in 9/8 time and ends with a brief codetta. The second movement opens with a low
sixteenth note rumbling in the piano that soon overflows into a full-blooded Allegro.
The third Recitativo-Fantasia movement includes a tranquil, almost
other-worldly, middle section which introduces the two striving themes with
characteristic triplet-rhythm accompaniment, which will return in the glorious
Finale. The fourth movement builds
toward a passionate fortissimo with the return of the second of the
third-movement themes. The opening canonic theme returns once more to bring the
work to a cheerful close. Eric Nowlin
Classical Music | Music for Viola
César Franck
Sonata for violin and piano in A Major (transcribed for viola) Play
Recorded on 09/12/2006, uploaded on 01/17/2009
Musician's or Publisher's Notes
Sonata in A Major (transcribed for Viola and Piano) César Franck
1) Allegretto moderato; 2) Allegro; 3) Recitativo-Fantasia; 4) Allegretto poco mosso
Cesar Franck is considered one of the leading figures of French musical life in the late 19th century. This sonata (subsequently transcribed for many instruments, including viola) is one of his most famous compositions and a great example of his mature compositional style.
Two aspects of the sonata are notable; the cyclic unity among several motifs in which all of the principal themes are generated from a germinal motif, and the advanced use of modulation for which Franck was well known.
The first movement begins with a poetic Allegretto moderato in 9/8 time and ends with a brief codetta. The second movement opens with a low sixteenth note rumbling in the piano that soon overflows into a full-blooded Allegro. The third Recitativo-Fantasia movement includes a tranquil, almost other-worldly, middle section which introduces the two striving themes with characteristic triplet-rhythm accompaniment, which will return in the glorious Finale. The fourth movement builds toward a passionate fortissimo with the return of the second of the third-movement themes. The opening canonic theme returns once more to bring the work to a cheerful close. Eric Nowlin
More music by César Franck
Sonata for Violin and Piano in A Major, M. 8
Prelude, Figue and Variation for organ, Op. 18
Prélude, Choral et Fugue
Alegretto Moderato, from Sonata for Violin and Piano in A Major, M. 8
Prelude Fugue et Variation - Live
Sonata for Violin and Piano in A Major, M. 8
Violin Sonata - A Major, Allegro
Sonata for Violin and Piano in A Major, M. 8
Sonata for Violin and Piano in A Major, M. 8
Prélude, Choral et Fugue
Performances by same musician(s)
Five pieces from the ballet Romeo and Juliet for viola and piano
Tango for Viola and Piano
Marchenbilder for viola and piano, Op. 113
Capriccio for Solo Viola
Concertpiece
Jamaican Rumba
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