Recorded on 02/14/2006, uploaded on 12/14/2009
Musician's or Publisher's Notes
"Dreadmill" (Op. 37) is scored for clarinet & double bass as well as for viola & double bass. This version is for keyboard.
Classical Music | Clarinet Music
Gary Noland
"Dreadmill" for clarinet (or viola) & double bass (Op. 37)—keyboard rendition Play
Recorded on 02/14/2006, uploaded on 12/14/2009
Musician's or Publisher's Notes
"Dreadmill" (Op. 37) is scored for clarinet & double bass as well as for viola & double bass. This version is for keyboard.
More music by Gary Noland
Liebesschmerz Fuge for piano (Op. 95)
"Septet" for clarinet, alto sax, French horn, two violins, double bass, and piano (Op. 43)
"Russell Street Rag" for piano (Op. 5)
"Le Charmeuse" (Op. 72, No. 21) from "24 Postludes" for piano
"The Mad Ventures of Marginman" (Op. 72, No. 16) from "24 Postludes" for piano
"Honesty's the Best Fallacy" (Op. 72, No. 14) from "24 Postludes" for piano
"Boykh Vaitek" (Op. 72, No. 20) from "24 Postludes" for piano
"Festmusik: Fanfaronades, Parades, and Escapades" for brass octet & tympani (Op. 77)
"Gillygalay" (Op. 71, No. 2) from "24 Postludes" for piano
"Prelude in E Minor" for harpsichord (Op. 34)
Performances by same musician(s)
"Le Charmeuse" (Op. 72, No. 21) from "24 Postludes" for piano
"The Mad Ventures of Marginman" (Op. 72, No. 16) from "24 Postludes" for piano
"Honesty's the Best Fallacy" (Op. 72, No. 14) from "24 Postludes" for piano
Liebesschmerz Fuge for piano (Op. 95)
"Boykh Vaitek" (Op. 72, No. 20) from "24 Postludes" for piano
"Festmusik: Fanfaronades, Parades, and Escapades" for brass octet & tympani (Op. 77)
"Gillygalay" (Op. 71, No. 2) from "24 Postludes" for piano
"Bead-Eyed Bellygods" (Op. 72, No. 13) from "24 Postludes" for piano
"Misremembrances: in memoriam George Rochberg" (Op. 72, No. 23) from "24 Postludes" for piano
"Prelude in E Minor" for harpsichord (Op. 34)
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